While carrying cement to Farmer Pickles, Muck passes through a field and hears a howling noise coming from a hole in the ground. When Bob and Lofty go digging for the answer, what will they find is making the strange noise?

There is nothing more repulsive than the sight of a rotting corpse. Some people argue otherwise, indeed, especially when those corpses died at the cause of a malicious action brought on by another human being. The fact that a human could brutally torture a person to death is horrifying, yes, but is it really more disturbing than the actual carcass which carries the everlasting evidence of merciless crimes being committed? Hardly.

This this is genuine stuff down to the core; what you see being brought in on the stretchers is the real thing, whether or not you wish to believe so: Cadavers are carried out in their most mutilated forms rape victims with severed heads, murder casualties sliced from head to toe, and corpses from airplane crashes with their skin completely separated from their bodies.

Disturbing, exploitative and cynical documentaries with snide or sarcastic remarks on shocking or strange subjects, usually real-life gore, death, violence or bizarre customs, societies, rituals and cultures. Although this genre originally started as real documentaries with a point to make, the genre spawned dozens of imitators, followers and enthusiasts who sometimes resorted to taking or reconstructing scenes of death and violent rituals, filming bizarre sexual scenes, or simply compiling real gruesome footage, and it all rapidly deteriorated into sensationalism, vulgarity and exploitation of the worst kind over the decades. Also arguably responsible for the Cannibal movie craze in the 70s, and other similar sensationalist genres that exploited people's fear of and fascination with violent or taboo cultures and death. Also arguably a cinematic offshoot of carnival freak shows.

Disturbing, exploitative and cynical documentaries with snide or sarcastic remarks on shocking or strange subjects, usually real-life gore, death, violence or bizarre customs, societies, rituals and cultures. Although this genre originally started as real documentaries with a point to make, the genre spawned dozens of imitators, followers and enthusiasts who sometimes resorted to taking or reconstructing scenes of death and violent rituals, filming bizarre sexual scenes, or simply compiling real gruesome footage, and it all rapidly deteriorated into sensationalism, vulgarity and exploitation of the worst kind over the decades. Also arguably responsible for the Cannibal movie craze in the 70s, and other similar sensationalist genres that exploited people's fear of and fascination with violent or taboo cultures and death. Also arguably a cinematic offshoot of carnival freak shows.

Disturbing, exploitative and cynical documentaries with snide or sarcastic remarks on shocking or strange subjects, usually real-life gore, death, violence or bizarre customs, societies, rituals and cultures. Although this genre originally started as real documentaries with a point to make, the genre spawned dozens of imitators, followers and enthusiasts who sometimes resorted to taking or reconstructing scenes of death and violent rituals, filming bizarre sexual scenes, or simply compiling real gruesome footage, and it all rapidly deteriorated into sensationalism, vulgarity and exploitation of the worst kind over the decades. Also arguably responsible for the Cannibal movie craze in the 70s, and other similar sensationalist genres that exploited people's fear of and fascination with violent or taboo cultures and death. Also arguably a cinematic offshoot of carnival freak shows.

Disturbing, exploitative and cynical documentaries with snide or sarcastic remarks on shocking or strange subjects, usually real-life gore, death, violence or bizarre customs, societies, rituals and cultures. Although this genre originally started as real documentaries with a point to make, the genre spawned dozens of imitators, followers and enthusiasts who sometimes resorted to taking or reconstructing scenes of death and violent rituals, filming bizarre sexual scenes, or simply compiling real gruesome footage, and it all rapidly deteriorated into sensationalism, vulgarity and exploitation of the worst kind over the decades. Also arguably responsible for the Cannibal movie craze in the 70s, and other similar sensationalist genres that exploited people's fear of and fascination with violent or taboo cultures and death. Also arguably a cinematic offshoot of carnival freak shows.

Disturbing, exploitative and cynical documentaries with snide or sarcastic remarks on shocking or strange subjects, usually real-life gore, death, violence or bizarre customs, societies, rituals and cultures. Although this genre originally started as real documentaries with a point to make, the genre spawned dozens of imitators, followers and enthusiasts who sometimes resorted to taking or reconstructing scenes of death and violent rituals, filming bizarre sexual scenes, or simply compiling real gruesome footage, and it all rapidly deteriorated into sensationalism, vulgarity and exploitation of the worst kind over the decades. Also arguably responsible for the Cannibal movie craze in the 70s, and other similar sensationalist genres that exploited people's fear of and fascination with violent or taboo cultures and death. Also arguably a cinematic offshoot of carnival freak shows.

Disturbing, exploitative and cynical documentaries with snide or sarcastic remarks on shocking or strange subjects, usually real-life gore, death, violence or bizarre customs, societies, rituals and cultures. Although this genre originally started as real documentaries with a point to make, the genre spawned dozens of imitators, followers and enthusiasts who sometimes resorted to taking or reconstructing scenes of death and violent rituals, filming bizarre sexual scenes, or simply compiling real gruesome footage, and it all rapidly deteriorated into sensationalism, vulgarity and exploitation of the worst kind over the decades. Also arguably responsible for the Cannibal movie craze in the 70s, and other similar sensationalist genres that exploited people's fear of and fascination with violent or taboo cultures and death. Also arguably a cinematic offshoot of carnival freak shows.

Boyd Rice may well be the only person alive who's been on a first name basis with both Charles Manson and Marilyn Manson. His career has spanned more than three decades, during which time he has remained at the epicenter of underground culture and controversy.

Video mixtape composed of shock footage.

Video mixtape composed of shock footage.

While building a new picnic area at the beach, Bob and the machines tell Benny and Scrambler the story of how he got started as a builder. Bob then recounts he and his dad Robert constructed the building yard in Bobsville, and how the machine crew we all know and love got together. Once the picnic area is finished, Benny and Scrambler agree that it's brilliant to be part of Bob's team!

The crew is hard at work on the new jobs. They need a well to bring water to the yard, a road to the new workshop, homes for the can-do crew and someone to run the old yard! But with all the work to be done, the team has gotten into some mix-ups and not everyone is where they should be. Will Bob and his crew nail down all the details and get their jobs done right? Episodes

Dizzy and the Talkie Talkie

Scoop's Recruit

Where's Robert?

Wendy's Welcome

Roley's New Friend

Disturbing shock footage mixtape

Bob The Builder? is hard at work finishing his workshop, building a new school and a visitor center. When Bob must build different houses for everyone, he realizes his Can-Do Crew really can do anything because they are Bob's Top Team!

Bob the Builder and his gang travel to a winter resort and have to help build the venues for the Bobblesberg Winter Games, since the original crew assigned the tasked gets snowed under.

The film that gives this DVD its title, "Live In Osaka", is a recording of NON's legendary 1989 live performance in Osaka, Japan. The band consisted of Boyd Rice, along with a star-studded line up including Michael Moynihan, Rose McDowall, Douglas P and Tony Wakeford.

Has someone ever handed you a movie, not telling you one thing about it, only telling you to watch it. What if that tape was the personal home video of two sociopaths on a killing spree? This is their home movie, for their eyes-only. This is August Underground's Penance. The third and final film in the AU franchise directed by Fred Vogel and starring Cristie "Crusty" Whiles. Penance shows the dark decline of the two nameless killers from the previous films as they continue to videotape their madness on their path to destruction.

Imagine walking down the street and finding an unmarked VHS tape. Curiosity piqued, you take it home and pop it in. What starts off as two men screwing around with a video camera quickly transforms into an ultra-realistic torture sequence where the unidentified psychopaths tape their exploits as they torment and violate a woman tied to a chair. The devastation of your morals continues throughout the entirety of the footage, while subtly revealing the killer's shattered pasts via the interaction with their victims and each other. The most shockingly realistic portrait of a serial killer's existence is, Fred Vogel's AUGUST UNDERGROUND.

有一个杀手逍遥法外，还有一些勒死妓女，她们大多来自一家名为Tasty Chicks的护送服务公司。警方正在调查此案，并试图追查凶手。与此同时，一个流浪汉在从一个施虐的约翰手中救下她后，被一个妓女接走了。他被约翰枪杀后被带回妓院，并被护理恢复健康。他被提供了一份工作，以保护女孩们免受杀手的袭击。但他很快发现房子里发生了一些奇怪的事情，除了逍遥法外的勒死者，还有更多的威胁。

这部电影记录了乔治在一场神奇的马戏团表演中与小象凯拉(Kayla)成为朋友，并帮助她穿越全国与家人团聚的冒险经历。在朋友“黄帽子人”的陪同下，乔治步行、坐火车、开卡车去找凯拉在加州的弟弟妹妹，结果却被指控在大象身上打盹儿，被一路带回了纽约。幸运的是，凯拉的主人看到乔治是一个好朋友，意识到凯拉是多么想念她的家人。凯拉的弟弟和妹妹被带到纽约的马戏团。

青山重治（石桥 凌饰）丧妻七年，步入中年的他在一次与儿子谈话中萌生了再找个妻子的想法。他很快就把这一想法告诉了自己的好友吉川泰久。吉川泰久以选女演 员为由帮助重治选择自己的意中人。 重治在面试者的简历中对一个名叫山崎麻美（椎名 英姬饰）的女人产生了好感。而在面试的当天，重治觉得麻美正是适合自己的女子。通过几次与麻美的约会，重治彻底喜欢上了麻美。在一次外出的旅馆里，重治和麻美终于修成了正果。但是，当重治醒过来的时候，他发现麻美已经不见了。于是重治到所有与麻美有关的地方找寻她的身影，然而在他寻找她的过程中却渐渐觉得麻美更加神秘。 终于，在重治筋疲力尽地回到家中喝下他最爱的威士忌加冰后，四肢刹那失去知觉。最令人毛骨悚然的画面终于在此时姗姗来到，麻美以为重治在欺骗她的感情所以要像对待其他人一样割掉他的舌头、手指和双脚（实际上只割了脚）。而伴随着重治儿子回家的开门声，重治的噩梦终于清醒。此时的重治亲自抚摸着仍然健在的双脚，看着身边的麻美，原来这只是个噩梦而已。于是他闭上双眼安心入睡，而噩梦也随着他的心继续着。原来，山崎麻美曾有一段不为人知的悲惨童年，她因为父母亲的离异，遭受到继父的凌虐，导致在她心中烙印下难以磨灭的痕迹，产生对所有想亲近她的男性都充满著“占有欲”

这是三部曲的最后一部，故事围绕着将自己奉献给撒旦的妓女展开。这部影片的内容是极端而黑暗的，令人作呕的情节屡屡出现，充斥着暴力，性，裸体，体液！一群女孩子和一个男人抠喉咙催吐，然后吃掉呕吐物，再吐出来……

"The series of episodes, or "chapters, is meant to portray dramatized biographical vignettes of my friends whose experiences and recollections reflect the archetypal character of my movies, the "lost girl," Angela Aberdeen." - Lucifer Valentine

还是一如既往的镜头晃，呕吐，自虐，挖眼珠吃，解剖，一大早吃的早餐差点没吐出去，快进看完的，实在看不下去。。

A prostitute is pulled into a Satanic nightmare caused by an unnamed predator.

Black Metal Veins unflinchingly documents the dark realities of despair and morbid self annihilation surrounding the lives of five heroin junkies. The addicts' intertwining stories of pain, loss, sadness, and abandonment lead the viewer down the agonizing and hideous path of horrifying psychological and spiritual destruction as the grim disease of heroin addiction infects and decays the bodies and minds of five young people.

A collection of fake snuff (people REALLY being killed) clips from different directors. The producers claim it's so realistic they were actually investigated by the FBI and Crime Scene Investigators who thought one of the murders was the real thing.

Two killers descend into a morbid and brutal inferno of torture, killing, necrophilia and disturbing hallucinations.

维尼的百亩森林中，有趣的故事永远在发生，在『春天早报到』里，一场暴风雪居然把兔子瑞比家的日历吹得东飞西散，但是可爱的小猪皮杰却成了众矢之的，这到底是怎么回事？而在『感恩节派对』中，众人为了庆祝感恩节，于是派出小熊维尼和小猪一起去抓火鸡，他俩真的能够不负使命吗？『耶诞稀客』的故事里曾把兔子瑞比误认为爹地的小鸟凯西，不仅寄了一张耶诞卡片给瑞比，最后还帮他们完成了一件“高"不可攀的任务！『小熊维尼感恩的季节』收录三个温馨有趣的故事，五首悦耳动听的歌曲适合全家大小一看再看！

A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.

A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.

Follows the same pattern of the other Faces of Death movies. In this one we see many staged and not so staged looking deaths ranging from bungee jumping accidents and magic tricks gone bad.

Includes many disturbing highlights from the first three Faces of Death films, such as animal slaughtering, executions, and more.

臭名昭著的“是真是假？”蒙多系列的第三部分主要关注连环杀手，其中重现了警方对垃圾箱中发现的尸体进行调查的详细场景，以及法庭上的一系列场景。

与死亡相关的简短场景：太平间、事故现场和警方工作场景，都被电视台和家用摄像机拍摄下来。其中一些很可能是假的，但有些则不然。

　　一部死亡场景的集锦，取材于电视素材和家庭拍的8厘米胶片。他们的共同点是，以某种方式死去。

　　这是一部由验尸官弗朗西斯·B·高斯用纪录片手法拍摄的影片。他试图给我们展现当人们死去时的“面目”。片中混合了伪造的人们被杀死时的图像和真正发生事故时的镜头，还包括斩首（发生在阿拉伯国家），坐电椅的片段。有一幕展现的是一群游客在埃及打碎猴子的头部，并在它仍活着时候吃掉它的脑浆。还有拍摄到动物生吃人类以及对尸体的亵渎。片中还包括如何处置一条误入禁区的短吻鳄。当地警长乘小艇欲将鳄鱼放生到海中，却不幸落水做了他们的饵食。电影的结尾是一段人们跳楼以及重大事故的集锦。

　　最初，本片试图解析一种我们都无法逃脱的宿命。但是很快它就成为家庭录像中最具争议且饱受批判的畅销纪录片。家长们试图阻止它，录像店不得不藏着它，而全国上下，百万的人们千方百计的找机会偷偷看它...只要他们够胆。知名病理学家弗朗西斯·B·高斯将带你经历被记录下的各种奇异恐怖的死亡画面，包括处决，暗杀，群体自杀行为，疾病和灾难等。三十年后，这究竟是最有料的精心制作的恶作剧，还仍是终将禁播的电影？我们只能确定：你决不会忘记哪些死亡面目！