There is nothing more repulsive than the sight of a rotting corpse. Some people argue otherwise, indeed, especially when those corpses died at the cause of a malicious action brought on by another human being. The fact that a human could brutally torture a person to death is horrifying, yes, but is it really more disturbing than the actual carcass which carries the everlasting evidence of merciless crimes being committed? Hardly.

This this is genuine stuff down to the core; what you see being brought in on the stretchers is the real thing, whether or not you wish to believe so: Cadavers are carried out in their most mutilated forms rape victims with severed heads, murder casualties sliced from head to toe, and corpses from airplane crashes with their skin completely separated from their bodies.

Disturbing, exploitative and cynical documentaries with snide or sarcastic remarks on shocking or strange subjects, usually real-life gore, death, violence or bizarre customs, societies, rituals and cultures. Although this genre originally started as real documentaries with a point to make, the genre spawned dozens of imitators, followers and enthusiasts who sometimes resorted to taking or reconstructing scenes of death and violent rituals, filming bizarre sexual scenes, or simply compiling real gruesome footage, and it all rapidly deteriorated into sensationalism, vulgarity and exploitation of the worst kind over the decades. Also arguably responsible for the Cannibal movie craze in the 70s, and other similar sensationalist genres that exploited people's fear of and fascination with violent or taboo cultures and death. Also arguably a cinematic offshoot of carnival freak shows.

Disturbing, exploitative and cynical documentaries with snide or sarcastic remarks on shocking or strange subjects, usually real-life gore, death, violence or bizarre customs, societies, rituals and cultures. Although this genre originally started as real documentaries with a point to make, the genre spawned dozens of imitators, followers and enthusiasts who sometimes resorted to taking or reconstructing scenes of death and violent rituals, filming bizarre sexual scenes, or simply compiling real gruesome footage, and it all rapidly deteriorated into sensationalism, vulgarity and exploitation of the worst kind over the decades. Also arguably responsible for the Cannibal movie craze in the 70s, and other similar sensationalist genres that exploited people's fear of and fascination with violent or taboo cultures and death. Also arguably a cinematic offshoot of carnival freak shows.

Two killers descend into a morbid and brutal inferno of torture, killing, necrophilia and disturbing hallucinations.

Disturbing, exploitative and cynical documentaries with snide or sarcastic remarks on shocking or strange subjects, usually real-life gore, death, violence or bizarre customs, societies, rituals and cultures. Although this genre originally started as real documentaries with a point to make, the genre spawned dozens of imitators, followers and enthusiasts who sometimes resorted to taking or reconstructing scenes of death and violent rituals, filming bizarre sexual scenes, or simply compiling real gruesome footage, and it all rapidly deteriorated into sensationalism, vulgarity and exploitation of the worst kind over the decades. Also arguably responsible for the Cannibal movie craze in the 70s, and other similar sensationalist genres that exploited people's fear of and fascination with violent or taboo cultures and death. Also arguably a cinematic offshoot of carnival freak shows.

Disturbing, exploitative and cynical documentaries with snide or sarcastic remarks on shocking or strange subjects, usually real-life gore, death, violence or bizarre customs, societies, rituals and cultures. Although this genre originally started as real documentaries with a point to make, the genre spawned dozens of imitators, followers and enthusiasts who sometimes resorted to taking or reconstructing scenes of death and violent rituals, filming bizarre sexual scenes, or simply compiling real gruesome footage, and it all rapidly deteriorated into sensationalism, vulgarity and exploitation of the worst kind over the decades. Also arguably responsible for the Cannibal movie craze in the 70s, and other similar sensationalist genres that exploited people's fear of and fascination with violent or taboo cultures and death. Also arguably a cinematic offshoot of carnival freak shows.

Disturbing, exploitative and cynical documentaries with snide or sarcastic remarks on shocking or strange subjects, usually real-life gore, death, violence or bizarre customs, societies, rituals and cultures. Although this genre originally started as real documentaries with a point to make, the genre spawned dozens of imitators, followers and enthusiasts who sometimes resorted to taking or reconstructing scenes of death and violent rituals, filming bizarre sexual scenes, or simply compiling real gruesome footage, and it all rapidly deteriorated into sensationalism, vulgarity and exploitation of the worst kind over the decades. Also arguably responsible for the Cannibal movie craze in the 70s, and other similar sensationalist genres that exploited people's fear of and fascination with violent or taboo cultures and death. Also arguably a cinematic offshoot of carnival freak shows.

Disturbing, exploitative and cynical documentaries with snide or sarcastic remarks on shocking or strange subjects, usually real-life gore, death, violence or bizarre customs, societies, rituals and cultures. Although this genre originally started as real documentaries with a point to make, the genre spawned dozens of imitators, followers and enthusiasts who sometimes resorted to taking or reconstructing scenes of death and violent rituals, filming bizarre sexual scenes, or simply compiling real gruesome footage, and it all rapidly deteriorated into sensationalism, vulgarity and exploitation of the worst kind over the decades. Also arguably responsible for the Cannibal movie craze in the 70s, and other similar sensationalist genres that exploited people's fear of and fascination with violent or taboo cultures and death. Also arguably a cinematic offshoot of carnival freak shows.

Boyd Rice may well be the only person alive who's been on a first name basis with both Charles Manson and Marilyn Manson. His career has spanned more than three decades, during which time he has remained at the epicenter of underground culture and controversy.

The film that gives this DVD its title, "Live In Osaka", is a recording of NON's legendary 1989 live performance in Osaka, Japan. The band consisted of Boyd Rice, along with a star-studded line up including Michael Moynihan, Rose McDowall, Douglas P and Tony Wakeford.