In "The Wedding at Cana", Paolo Veronese transposes the biblical tale of Christ's first miracle to the scene of a sumptuous Venetian banquet. This documentary explores the historical context of 16th century Venice, a wealthy and politically stable city in which artists such as Veronese, Titian, and Jacobo Tintoretto were granted freedom from religious censorship. It looks at Palladio's architectural influences, presents a theory that "The Wedding at Cana" may represent the crowning ceremony of a Doge's wife, and examines how Veronese combines the sacred and profane in his works. Finally, it looks at the painter's use of perspective, colors, and composition.

„Svatba v Káni Galilejské“ – monumentální dílo z šestnáctého století.

Dans "Les noces de Cana", Paul Véronèse transpose le récit biblique du premier miracle du Christ sur la scène d’un fastueux banquet vénitien. Il glorifie sa cité millénaire, festive et débridée.