Joe Bob bemoans the censorship and gradual disappearance of shower scenes in horror movies when he hosts C.H.U.D. (1984).

Joe Bob discusses the warped ways of the Miss America pageant before he talks with Barbara Crampton, one of the stars of Castle Freak (1995).

Joe Bob and Darcy discuss all manners of perversion when they host the gooey cult-classic Society (1989).

Joe Bob goes on a tirade about Tesla Motors before screening Deathgasm (2015) and placing a call to the show's resident mangled dick expert.

Joe Bob discusses the history of Madman (1981), including its origins as a film about the Cropsy killer.

Joe Bob gets into the history of Japanese horror while hosting Wolf Guy (1975), even inviting production designer Yuki Nakamura to join the conversation.

Joe Bob discusses the "painful decision" to show Demon Wind (1990), the bizarrely diverse careers of its cast and crew, and he also attempts to untangle the film's confusing multigenerational story.

Joe Bob delves into the many different concepts of Hell and then hosts The House of the Devil (2009).

Joe Bob riffs on Canadians while he hosts Wolfcop (2014).

Joe Bob discusses the making and controversy surrounding the release of Henry: Portrait of a Serial Killer (1986) before sitting down for a conversation with the film's director, John McNaughton.

Joe Bob reiterates his old "Riverplace Courtyard-on-the-Square Plaza" spiel, and then he hosts Contamination (1980), a blatant Italian ripoff of Alien.

Joe Bob discusses and ponders the true meaning of the first American-made Iranian vampire Western, A Girl Walks Home Alone at Night (2014).

Joe Bob turns to statistical facts when he announces his boycott of the Kimberly-Clark Corporation as a result of their decision to rebrand "Mansize" Kleenex, and then he hosts The Stuff (1985).

Joe Bob discusses his wellness regimen, and then he makes a call to the show's resident mangled dick expert while screening Street Trash (1987).

Joe Bob pays tribute to Tiny Tim, the star of Blood Harvest (1987), by talking with two authorities on the unique entertainer. Things become utterly surreal when they unearth old footage of Tiny Tim watching Joe Bob discussing the film.

Joe Bob discusses the dangers of the zero-tolerance policy, and then he hosts one of Darcy's all-time favorite movies, Hello Mary Lou: Prom Night II (1987), before the crew assembles for a season-finale prom.