I really like Broadchurch, the show which centers around a couple of police detectives in a small British town. I have some criticisms about the show which really apply to a majority of modern television shows and movies. I must use some show and I thought I would pick examples from a show I like very much.
I am watching season one again now. After the news stand man, Jack Marshall, committed suicide, the Rev. accosted Hardy at the funeral, blaming him for the man's death, saying "I told you he needed protection, and you did nothing".
I'm not sure what he expected the police department to do to prevent that suicide. The writers wanted to create tension and pressure on Alec Hardy so they had the Rev. and others put the blame on him for that death. That is pretty common stuff in TV and film these days. It would be nice to see the writers make the characters act a little more responsibly, a little more adult.
Who put out the word that the man had served time for sex with a minor? The press virtually convicted him and ridiculed him in print. Why didn't the Rev. and others blame them? Why didn't the Reverend try to protect Jack Marshall? The Reverend could have spent more time with Jack, counseling him, assessing him and trying to offer him resources.
Are the police responsible for regulating the speech of the community? Are they responsible for providing body guard services for people who might be at risk? Is the community willing to pay for those services?
The Reverend acted childishly, blaming DI Hardy for the suicide of Jack Marshall. Was that because he felt guilty over his own lack of action to assist him? Perhaps, but that puerile display of blame shifting is not what one would expect from a minister, a man meant to counsel others on the mature management of their emotions, as well as spiritual matters. Instead the writers made the Reverend an example of an emotionally unstable character. TV writers love to write characters who are emotionally labile, who seem unable to manage their own emotions or to behave as adults. I see this as a cheap trick. Sure, highly emotional displays grab our attention. But they need not be childish, irresponsible displays; it is possible for mature, responsible characters to express a lot of emotion. Sugary treats are nice every once in a while, but I don't want them as a steady diet. The banal, over-used trick of emotionally unstable characters can ruin shows.
When a man expressed his condolences to Beth Latimer in a parking lot after the death of her son, she nearly had a meltdown, with a shocked look on her face, before she turned and ran to get into her car. Beth looked almost like she was having a panic attack. Would a mother be very emotional after the death of her son? Yes, of course. But nearly every grieving mother I've ever met would have mustered up a "thank you, I have to go now" or something to that effect, even if overcome with grief.
DI Miller testified in court in season two and had a virtual meltdown on the stand. Remember that she is a seasoned detective, and knows the law very well. Detectives often must testify in court and are trained in measuring their answers and their emotions on the stand. They know the subject matter they must testify to, and department legal personnel have trained them so they know what to expect and how to respond.
But DI Miller seemed totally unprepared and on the brink of melting into jibbering tears.
Alec Hardy though is a ROCK! He can be a bit of an asshole at times, but it isn't gratuitous or for shock value. He doesn't mince words or hold back his opinions or his assessments. He is a responsible adult, mature, and straightforward. He doesn't shift blame, at all. He is at the opposite extreme from the majority of characters in television shows, some of whom are quivering jellied, weepy, basket cases. He feels emotions, the same as everyone else. But he is responsible and mature. I wish more television shows featured characters like more like Alec Hardy.
But I REALLY wish they didn't feature so many emotionally labile, blame-shifting, self-pitying, characters who far too often present themselves as victims.
(Broadchurch is really not so bad compared to most shows. As I said above, I like this show.)
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Contestado por Strange Bedfellows
el 8 de septiembre de 2019 a las 18:05
I had a quick look at "dead in a week" but I didn't like it. It reminded me of why I am not a fan of comedy. It is typically British - very sort of dead pan - not my sort of humour at all. I have to say that I am not a fan of War films in general - there are some I have enjoyed - King Rat - Stalag 17 - The Great Escape - 36 hours - (James Garner as a soldier the Germans are trying to convince that the war is over and he can give up his secrets - but he has a paper cut on his finger which makes him realise they are lying to him) mainly older ones I suppose because modern films tend to concentrate on limbs being blown off etc which I cannot stomach. I shall check out Amazon Prime again - I had a look before and I am sure there are some things on there we both might like.
Contestado por write2topcat
el 8 de septiembre de 2019 a las 19:13
I mostly like the older war films over the more modern ones. Even Saving Private Ryan, which was a good film, went for so much realism in the landing on D-Day that it was hard to watch. It did help people get a sense of the hell the men went through and the sacrifices they made. But overly graphic depictions of injuries and death scenes are tough to watch. As a viewer you are unable to take cover when you realize you should; you must vicariously experience what the character you're watching goes through, though you would have done something differently. That traumatizes the viewer. The viewer must experience what the lead characters they identify with experience, yet they have no active input; they are debilitated and can only watch, anticipate the danger which is clearly revealed to the viewer, forced to be injured or killed along with the actor. The older films, many made during the war at a time when public morale was meant to be boosted by the films, alluded to death and injury but didn't show them graphically, forcing the public to experience the hell of war in that way.
Modern films also fail in other ways. Directors now often splice together different camera angles, changing them rapidly to simulate action. they do this in fight scenes. Camera angles are switched several times per second in some sequences to give the view the impression of motion and action. This technique cuts down on the time spent practicing and shooting the scene since most of the work is done in the cutting room.
This technique also disorients the viewer, making them dizzy as their frame of reference shifts so frequently. Apparently the director feels this razzle dazzle motion sickness technique improves the film.
Another modern technique used frequently, which I hate, is to show something or someone suddently and rapidly approaching directly at the camera. This is accompanied by a loud noise or a scream.
In older films, if the director wanted to induce fear in the viewer, he would develop a scene, using the actor's facial expression, lighting, a menacing looking bad guy, and other such devices, using intellect and skill to create the feeling.
This awful, modern technique relies on reflexes. You will blink if something flies directly at your eye, you start when a sudden loud noise surprises you. This awful, modern technique is analogous to someone sneaking up behind you and shouting BOO! loudly in your ear. That doesn't take skill or intelligence, and there is no acting required. I guess there are some people who enjoy feeling frightened like that: simple, immature people. Babies and 1 year old children are entertained and amused when you pull your hands away from your face and say "peek a boo". And there are teenage children who still enjoy surprises like that. But that scare technique is a cheap trick, a poor excuse for film making.
Those are just a couple of ways that modern film media has fallen drastically in quality and value.
Contestado por Strange Bedfellows
el 9 de septiembre de 2019 a las 04:24
I absolutely agree with everything you say. I abhor that rapid angle change camera work - one of the worst series I have seen for that is "Blindspot" - the premise was stupid and the camera work now makes it unwatchable. I cannot watch anything that makes me dizzy so I simply switch it off - is this what film makers want? I think most stuff today is geared to appeal to the teenage market and they seem to like blood and gore and crazy camera work. I was never like that - even as a teenager - maybe it is a response to how casually violent the world has become. Years ago if somebody wanted to rob you in the street they would just grab your bag and run for it - today they are quite likely to stab you to stop you pursuing them. They think nothing of it - it is more prevalent with certain cultures as a matter of statistics. I believe that some films encourage this kind of violence - it's no good saying that people are not influenced by what they see - if that was the case then companies would not spend billions on advertisements and violent video games would not be banned. Monkey see - monkey do.
Contestado por write2topcat
el 9 de septiembre de 2019 a las 18:18
The crazy camera angle, motion sickness inducing technique is so common now that it is mostly all the young people know unless they watch older films, and most don't. Film makers save money this way, I think. Even if the actors are willing to work to choreograph a fight scene, the film makers don't want to spend the time and effort to make it by the older methods. If all they need are a bunch of very short clips of arms moving and bodies falling, they can put several cameras on the actors and get all they need in a short time. The actors move for a couple of seconds, and they probably get 5 to 10 different clips out of that, spliced together in the cutting room. The viewer sees arms and bodies in a dizzying blur for a few seconds before showing a body crashing through a wall or something, then back to the same blender motion fight scene. It is awful. And I've never seen any critic talk about how bad this is.
Society has become more violent. There are social reasons for this, and political reasons for this. But I won't go into my thoughts on all that again. You're heard me before on all that.
I am watching Justified now. I never saw it from the beginning and am watching the first season in order now. I only ever saw it on reruns, whatever episodes happened to be showing at the time.
Contestado por Strange Bedfellows
el 10 de septiembre de 2019 a las 05:11
I have a faint recollection of "Justified" I think I watched a couple of episodes a while back - I know I didn't see it all. I can't recall why. The trouble with Amazon is that they never give you the entire series of anything - it's always 1-4 included and then you have to pay for the rest. This annoys me as we are paying for the channel already. I have only wanted to see the last series of "Dexter" "Ray Donovan" and "The Americans" and my daughter bought those for me for Christmas and Birthday presents. I watched about four seasons of "Arrow" and I absolutely refuse to pay for the rest !! Can you give me a brief precis of "Justified" so as I can figure out if I am likely to like it or not.
Contestado por write2topcat
el 11 de septiembre de 2019 a las 04:29
A U.S. Marshall in Kentucky goes after criminals in his home county of Harlan Kentucky. IMDB describes it this way: Old-school U.S. Marshal Raylan Givens is reassigned from Miami to his childhood home in the poor, rural coal mining towns in eastern Kentucky.
Contestado por Strange Bedfellows
el 11 de septiembre de 2019 a las 07:22
Hmm - sounds OK. I might revisit it. I am on Season 2 of Harrow - Season 1 is on Amazon I think. It annoyed me because he is a brilliant Australian pathologist - and yet when he is suspected of using drugs he doesn't suggest a hair follicle test to prove his innocence. I tried another Russian series called "The Method". This is about a "brilliant" detective who solves all his crimes via "The Method" - only thing is - there is no method - he finds the psychopaths because he is as crazy as they are. This is illustrated by him getting into pointless fights and jumping into fountains. He takes on a pretty young woman (even though he always works alone) and off they go - the only trouble is they only show him catching the criminals - they don't explain how he did it. I have only watched two and a bit episodes and I doubt I will return to it. What's your take on "Justified" - do you enjoy it?
Contestado por write2topcat
el 11 de septiembre de 2019 a las 08:25
Marshal Raylan Givens is quick with a gun when he needs to be. Harlan County Kentucky is coal mining country and home to a lot of criminal activity. Raylan knows many of them and has history with some of them. I like it. I am up to season 3 now. I like it.
Contestado por Strange Bedfellows
el 11 de septiembre de 2019 a las 11:40
I am on S1 E3 of "Justified" and I don't remember it - so I must have gotten it mixed up with something else I watched briefly. I like it OK - it's sort of a drama with humour mixed in. I like Timothy Olyphant. I will continue to watch this. I tried watching another Turkish show called "Filinta". About a detective in roundabout 1900's Istanbul. It was so strange - The busy street was there again - and the women are dressed as Western Victorian women with long luxurious dresses - gloves - and weirdest of all - hats. It's like they stepped out of Victorian England and straight into Istanbul The men wear Fez's so the contrast is really strange. The acting and the dialogue are like a pantomime script - as is the acting - it's the kind of series you keep watching because you can't believe what you are seeing!! I tore myself away though.!! I tried Unit 42 - that empowered cocky female got on my nerves - I wanted to slap her down. Can't see myself watching it again - especially as it was so obvious who the super hacker was going to be - why - another empowered female. Give me a break.
Contestado por write2topcat
el 11 de septiembre de 2019 a las 11:53
Yeah, Unit 42 is not that great. Besides the female you mentioned there is a male detective who turns out to be a closeted gay, and the hacker chick realizes it and tells him to go after this "hot" guy she saw him talking to. So there is that. I kind of stopped watching it also.
So far I have not seen any gay people in Justified. Raylan Givens has a dry wit about him, and some of the other Marshals sometimes use those funny law enforcement euphemisms to refer to criminals, death, prison, and so on. But that is just normal life. It's not a comedy so I figured you could get by that alright.
In real life, the people from the mountains of Kentucky have long had a reputation for being clannish, and seeking their own form of justice, and this is reflected in the story also. Compared to most other shows this one doesn't have much PC stuff, and it keeps my interest.
Contestado por Strange Bedfellows
el 11 de septiembre de 2019 a las 14:04
In the episode I am watching now where his father has stolen drugs and he finds out about it - one of the policemen is played by Brent Sexton - I don't know if it is just me - but I always get this guy mixed up with David Zayas!! They are both very ubiquitous in tv series. I am happy that this show is much less pc than the usual moronic fodder we have to endure today. In Unit 42 I also noticed the "hot guy" reference and how he sprinted off after him - all so liberal and broad minded and accepting as the norm. If it was the norm then humanity wouldn't exist - no matter what people say - it is against nature for those very reasons. Accept homosexuality as a fact of life by all means - but don't try to make us believe it is normal.
Contestado por write2topcat
el 11 de septiembre de 2019 a las 14:55
Yeah, those two guys have sort of broad faces and somewhat similar look to their eyes. I never noticed David Zayas until I saw him in Dexter. I think that gave him a lot of exposure and he has been in some bigger roles since then than before. He worked for about 10 years before Dexter but I never saw him or noticed him. Funny how one role can break out a career like that. Brent Sexton is one of those guys whose face you know, but you cannot necessarily remember why or where from. He does solid supporting character work and I notice that he has been in several series as a recurring character.
Marshal Raylan Givens is another flawed hero, personal life problems as well as continual job issues, though his actions are generally always justified, which is where the show name comes from I guess. He goes through a couple of old flames in the first few seasons, but the nature of his work isn't conducive to the kind of life most women really want. Law Enforcement wives often complain about worrying when they kiss him goodbye in the morning if it will be the last time they see him. It is not as dangerous as some jobs perhaps, but the risk if higher than most I would guess. There are plenty of good characters in the show.
Contestado por write2topcat
el 11 de septiembre de 2019 a las 17:28
One criticism I have of the show is the theme song. Why do they have a country music rap song with rap singers and lousy stupid lyrics? Sounds like someone wrote those lyrics on the fly, giving each line a half a second of thought.
It occurs to me that I write mostly about things I DON'T like about a show. But I do like the show.
Contestado por Strange Bedfellows
el 11 de septiembre de 2019 a las 18:23
I think it is only natural to notice things you don't like about a show rather than things you do like - they impinge on your consciousness more. I watch most things on mute because of my hearing difficulties - ambient sounds - especially music - make it impossible for me to understand conversations - I will never understand why film-makers do this - and it is constant. I wouldn't mind so much but their choice of "cool" music is dreadful - for me - rap music is an oxymoron - the worst disservice done to music for years. I used to write a lot of country music - it appealed to me because the lyrics told a story ( usually of love or loss) that had to be told in verse in 20 lines or less. It was a huge challenge and I loved doing it. But today everything has to be either violent or sexual or both and spoken because that is the level of their musical ability. It's a standard theme in any cop show really - the wife who left him because he was never there - because his work was dangerous - because he was obsessed with it rather than her. I hate whining women - you knew he was a cop for God's sake - what did you expect ? !!You will rarely find a happily married policeman unless it is in a cosy British country village and she makes jam and acts in Amateur Dramatics. I can't stand those either!!! I like the show as well - although it does fall into the trap of maverick cop always being at risk of his job because of his methods. Clint Eastwood territory really. Never mind - as long as he doesn't appear out of the mist or stand on a bridge as the villain approaches I'll keep watching !!
Contestado por Strange Bedfellows
el 12 de septiembre de 2019 a las 12:29
I just noticed a new limited series on Netflix called "I - Land" sounds like an interesting premise - what do you think?