Discuter de The Walking Dead

This was an evening of Idiot Plot Syndrome on THE WALKING DEAD. One of the very few substantive things that happened in the first half of the show's present season is that Maggie usurped the spineless Gregory's leadership of the Hilltop community. But when the second half launched, it was as if the writers hadn't been watching their own show, a fairly common phenomenon with TWD, and everyone was back to treating Gregory as if he was still in charge. Though Gregory had just betrayed them and tried to turn over Maggie and Sasha to the Saviors, our heroes even laid out before him their plan to organize a rebellion against the villains. Not much happened on "The Other Side," tonight's installment, but the ep did underscore the danger posed by Gregory, as he's clearly poised to spill his guts to Negan lieutenant Simon. Merely poised, of course--if wouldn't be TWD if it didn't try to artificially stretch every bit of what passes for plot to the absolute breaking-point.

Tonight's a-plot was the Saviors stopping by Hilltop to appropriate its doctor after Negan torched his own. That's all. The b-plot followed Sasha and Rosita as they made their way to the Saviors' compound to try to kill Negan. A few eps ago, both admitted they expected this to be a suicide mission. If they attempt such a thing and are killed, captured or even identified, the likely outcome is that the Saviors descend on the various communities in force and out for revenge, an onslaught both Sasha and Rosita know full well those communities are, at present, entirely incapable of resisting, but Negan murdered their co-beau with his bat and as TWD's writers are sure, women are just completely irrational children who let their emotions drive them, even if it puts everyone in danger...

The full article is here: http://cinemarchaeologist.blogspot.com/2017/03/walking-dead-92.html

3 réponses (sur la page 1 sur 1)

Jump to last post

and as TWD's writers are sure, women are just completely irrational children who let their emotions drive them, even if it puts everyone in danger...

Amen to that. They think this show empowers women? It belittles them IMO. Look at the Carol character for example. She's a complete POS.

@movie_nazi said:

Amen to that. They think this show empowers women? It belittles them IMO. Look at the Carol character for example. She's a complete POS.

I liked the 2.0 and 3.0 Carols but the current 4.0 sucks and badly. TWD used to have a terrible misogyny problem--the writers treated every female character like their least favorite ex-wife. They've made progress on this under Gimple but they've been slipping back into these bad old habits on this score (and on a lot of others).

Great job! This show totally sucks!

Un film, une émission télévisée ou un artiste est introuvable ? Connectez-vous afin de créer une nouvelle fiche.

Général

s Mettre le curseur dans la barre de recherche
p Ouvrir le menu du profil
esc Fermer une fenêtre ouverte
? Ouvrir la fenêtre des raccourcis clavier

Sur les pages des médias

b Retour (ou vers le parent si faisable)
e Afficher la page de modification

Sur les pages des saisons des émissions télévisées

Afficher la saison suivante (flèche droite)
Afficher la saison précédente (flèche gauche)

Sur les pages des épisodes des émissions télévisées

Afficher l'épisode suivant (flèche droite)
Afficher l'épisode précédent (flèche gauche)

Sur toutes les pages des images / photos

a Ouvrir la fenêtre d'ajout d'image / photo

Sur toutes les pages de modifications

t Ouvrir le sélecteur de traduction
ctrl+ s Envoyer le formulaire

Sur les pages des discussions

n Créer une nouvelle discussion
w Basculer le statut de suivi
p Basculer publique / privée
c Basculer fermer / ouvrir
a Ouvrir l'activité
r Répondre à la discussion
l Afficher la dernière réponse
ctrl+ enter Envoyer votre message
Page suivante (flèche droite)
Page précédente (flèche gauche)

Paramètres

Vous souhaitez évaluer ou ajouter cet élément à une liste ?

Connexion