Francis Picabia (born Francis-Marie Martinez de Picabia; 22 January 1879 – 30 November 1953) was a French avant-garde painter, poet and typographist. After experimenting with Impressionism and Pointillism, Picabia became associated with Cubism. His highly abstract planar compositions were colourful and rich in contrasts. He was one of the early major figures of the Dada movement in the United States and in France. He was later briefly associated with Surrealism, but would soon turn his back on the art establishment.

Francis Picabia was born in Paris of a French mother and a Cuban father of Spanish descent. Some sources would have his father as of aristocratic Spanish descent, whereas others consider him of non-aristocratic Spanish descent, from the region of Galicia. His birth year of 1879 coincided with the Spanish-Cuban Little War; and though Picabia was born in Paris, his father was involved in Cuban-French relations and would later serve as attaché at the Cuban legation in Paris (see the Treaty of 1898). The family ties to Cuba would be important in Picabia's life later on.

The family was affluent, but not without tragedy. Picabia's mother died of tuberculosis when he was seven and her mother died soon after. He was raised by his father.

Picabia's artistic ability was apparent from his youth. In 1894, he copied a collection of Spanish paintings that belonged to his grandfather, switching the copies for the originals and selling the originals to finance his stamp collection.

During the late 1890s, Picabia began to study art under Fernand Cormon and others at École des Arts Decoratifs, Cormon's academy at 104 boulevard de Clichy, where Van Gogh and Toulouse-Lautrec had also studied. He studied under Fernand Cormon, Ferdinand Humbert, and Albert Charles Wallet for two years. From the age of twenty Picabia lived by painting. Subsequently, he inherited money from his mother, making him financially independent.

Early in his career, from 1903 to 1908, Picabia was influenced by the Impressionist paintings of Alfred Sisley. His subject matter included small churches, lanes, roofs of Paris, riverbanks, wash houses, and barges. This led critics to question his originality, saying that he copied Sisley, that his cathedrals looked like Monet cathedrals, or that he painted like Signac.

From 1909, his style changed as he came under the influence of a group of artists soon to be called Cubists. These artists would later form the Golden Section (Section d'Or). The same year, Picabia married Gabrielle Buffet. (They would divorce in 1930.)

Around 1911 Picabia joined the Puteaux Group, whose members he had met at the studio of Jacques Villon in Puteaux, a commune in the western suburbs of Paris. There he became friends with artist Marcel Duchamp and close friends with Guillaume Apollinaire. Other group members included Albert Gleizes, Roger de La Fresnaye, Fernand Léger and Jean Metzinger.

Picabia was the only member of the Cubist group to personally attend the Armory Show, and Alfred Stieglitz gave him a solo show, Exhibition of New York studies by Francis Picabia, at his gallery 291 (formerly Little Galleries of the Photo-Secession), 17 March – 5 April 1913. ...

Source: Article "Francis Picabia" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Francis Picabia, né Francis-Marie Martinez de Picabia le 22 janvier 1879 à Paris (2e arrondissement) et mort le 30 novembre 1953 dans la même ville, est un peintre, dessinateur et écrivain français, proche du mouvement dada, puis surréaliste.

Francis Picabia est le petit-fils de Juan Martinez Picabia, né à Cuba, puis émigré à New York et Madrid et, côté maternel, d'Alphonse Davanne (1824-1912), chimiste et photographe, et président de la Société française de photographie. Son oncle, Maurice Davanne, est conservateur à la bibliothèque Sainte-Geneviève à Paris.

Sa mère, Marie Davanne, meurt en 1886. Il fait ses études chez les marianistes au collège Stanislas, puis au lycée Monge, à Paris.

En 1894, voulant éprouver la vocation tôt manifestée de son fils, «Pancho» Picabia envoie, au Salon des artistes français, la toile de Francis intitulée Vue des Martigues. Le tableau ayant été non seulement accepté, mais primé, Picabia entre, après une scolarité compliquée, à l'École des arts décoratifs l'année suivante, où il sera l'élève de Wallet, Humbert et Cormon; mais il fréquente plus volontiers l'École du Louvre et l'académie Humbert, où il travaille aux côtés de Georges Braque et de Marie Laurencin.

L'année 1897 marque un tournant dans sa carrière: la découverte d'Alfred Sisley lui révèle l'impressionnisme, pour lequel son enthousiasme se renforce avec la rencontre de la famille Pissarro, en 1898. Il commence à exposer régulièrement au Salon des artistes français.

C'est pour lui le début d'une période extrêmement féconde, qui durera dix ans; les centaines de toiles qu'il peint alors, où l'influence impressionniste reste toujours plus ou moins sensible, sont propres à séduire le public: sa première exposition personnelle de 1905, à la galerie Haussmann à Paris, est un triomphe. Les tableaux exposés, étrangers aux nouvelles recherches plastiques, relèvent de l'imitation du «pur luminisme impressionniste» (Bords du Loing, 1905, Philadelphie, Museum of Art). Cependant, Picabia remet peu à peu en cause les valeurs plastiques qui lui valent son succès grandissant et, en 1908, sa rencontre avec Gabrièle Buffet — qui l'encourage à poursuivre de récentes recherches —, détermine la rupture avec l'impressionnisme comme avec ses marchands, rupture permise aussi par sa fortune personnelle.

De 1903 à 1908, influencé par les peintres de Barbizon, il côtoie Alfred Sisley, Camille Pissarro et Marius Borgeaud.

À sa majorité, il prend possession de l'héritage maternel qui lui assure de confortables revenus. Sa première exposition personnelle (61 tableaux) est organisée en 1905 à Paris à la galerie Haussmann, chez Danthon, la suivante à Berlin à la Kaspar Kunstsalon. Il montrera ensuite ses œuvres à nouveau chez Danthon en 1907, puis à Londres, Munich, Barcelone.

De 1905 à 1908, Picabia séjourne deux fois à Martigues et réalise de nombreux paysages de style impressionniste de la ville et de ses canaux. ...

Source: Article "Francis Picabia" de Wikipédia en français, soumis à la licence CC-BY-SA 3.0.