Prologue of the previous work Una película en color, dealing with similar matters and device, expanding the scope of procedures. Seeking to explore the relationship between camera and room, between frame and window, the footag isin-camera, in-room edited, thus, the order and length of the shots contained in each 50 feet film cartridge are preserved. Both the room and the window embody the isolation of light. Among other possibilities, Un baile con Fred Abstrait could be watched as an abstract room parody of a Fred Astaire’s musical comedy and Una película en color as a colour palette taken as a method.