Early reviews for this film have not been great. It is lumbering, it is all over the place, it is grandiose to the point of pretentiousness. No coherent organizing theme. Remarks of that nature.
This is not a unique situation for creatives at the end of their career-- especially ones who have achieved greatness and a higher order level of deference. In the world of cinema, one could say Stanley Kubrick demonstrated such unrestrained hubris with Eyes Wide Shut (1999), and-- though it was well-received --Martin Scorsese with Wolf of Wall Street (2013). Although there is evidence that Wolf of Wall Street is not aging well, and even at the time of its release, there was uneasiness about its arguably exploitative portrayal of various sexual escapades, and that this only further pointed to what happens when a respected artist is released without people around him who will act as creative guardrails. Kevin Costner with his "Horizon" films-- which, if fully-completed, will number four movies with a total runtime of 10 - 12 hours --might very well be heading down the same lumbering, shaky path.
In the world of literature, Stephen King-- once he cemented his fame in the 1980s --has long been accused of being permitted to toss out into the world whatever slop he wishes, riding on the fame of his name alone (I was told years ago that in one of his books, a main character starts out with brown eyes, and by the end, has eyes of blue. No editor).
I have enjoyed many of Mr. King's earlier work over the years, but I realize "literature" might be a bit generous when describing his work, so, to give another example of much more literary literature, Shakespeare's Titus Andronicus has often been vilified as so violent, grotesque, and irreverent that it couldn't possibly have been written by him. From my viewpoint, it was simply an example of an artist operating unrestrained. For better or for worse.
Will Francis Ford Coppola's Megalopolis share the same fate? As a cautionary tale of what happens when a revered artist-- who has already accomplished the magnum opus of the Godfather films --is left unrestrained and unleashed, with no one around him to temper or constructively-criticize potentially unwise creative decisions? Thus possibly leading to a finished work that is just not very good, and sloppy?
I don't know. I was on the fence about checking out Megalopolis, but, seeing as Coppola has finally found a distributor and is getting a late September 2024 theatrical release, I think I might try to see it.
And then we'll see, if Coppola has truly accomplished another masterwork, or if it turns out to be another sad example of an accomplished artist churning one movie too many . . . when he could've just stopped when he was ahead.
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rooprect je odgovoril
dne julij 6, 2024 ob 12:10 AM
Nope, he immigrated to the USA in the 70s. I did have an uncle who was in Vietnam... he was always a bit disconnected, whether that was the reason or not. How about you, did you have any family members that went to Vietnam, and if so did they ever watch any Vietnam war movies?
bratface je odgovoril
dne julij 6, 2024 ob 1:24 AM
Where did he immigrate from?
My husband spent a year & a half in Vietnam, he came back an addict. I am a boomer, spent the late 60s & early 70s as a hippie! The smell of patchouli brings back all kinds of memories.
rooprect je odgovoril
dne julij 6, 2024 ob 11:10 AM
He came from Italy. That's crazy about your husband but I hear it was very common, unfortunately. I hope he beat the addiction without too much damage.
Wow so you were an OG hippie :) I have a question, at the risk of derailing this thread which I already derailed a couple posts ago... Do you remember any particular event that kick started the hippie movement? Or did it just slowly evolve?
I'm interested because I feel like the social & political conditions today might be brewing another hippie movement: a backlash to the ultra conservative tides, deep racial divisions, police brutality, the list goes on. But I wonder if, historically, there needs to be some catalyst for it to happen.
Sometimes I think that catalyst must come through the arts. In the 60s there were a ton of progressive filmmakers and of course the whole folk music movement was instrumental. Today I don't see any such catalyst in cinema or music, aside from the occasional voice that pops up. Nothing quite like the Beatles or Woodstock though. I think a hippie/progressive revival needs to be carried on the back of some powerful artistic movement such as that, but alas I don't see any. Your thoughts?
bratface je odgovoril
dne julij 8, 2024 ob 2:52 PM
The Vietnam War & the 'Civil Rights' movement were, in my opinion, the biggest! Everything changed so much in the 60s & 70s. Music, films, clothing, etc. It was very cool to see it happen. The 'newer' generations like to disparage 'Boomers' but we made things happen & created most of the technology that they love so much.
Sejian je odgovoril
dne avgust 23, 2024 ob 11:02 AM
Newer generation here. I have mad respect for the members of the older generations who got shit done but I have zero respect for those who sit by nowadays and behave as though we're deviants just because we don't share their newfound apathy, and of course those who sat by back then and did !@#$ all get the least respect when they criticize us for daring to challenge the status quo nowadays. Just chiming in, in defense of "generation zombie".