O Vermelho do Meio-Dia occupies the space between documentary and improvisation, enabling an investigation of the idea of the Other as well as its various constructed perspectives and depictions. The film interweaves two stories which fundamentally diverge despite overlapping. On the one hand, there is a party, its premises, guests, music, class, gender, which build a big “coming together.” On the other hand, a conversation between transgender members of an art collective moves between scripted interactions and improvisation. Revolving around a Bataillean sadomasochistic tale about the falling outs in a community on the brink of war, the films hinges on a perspectivist interplay between scripted and “real” conflict.