The “gutsiest” film of this or any other year—literally so, as it was shot solely within the director’s own body during a 20-hour capsule endoscopy. With a title that pays homage to American avant-garde supremo Stan Brakhage and using a letterbox-style wide format of image, the ever-inventive Maicher (in his fifth consecutive ÖW contender) plunges us into weirdly colorful intestinal spaces, enhanced by Manfred Plessl’s enveloping sound design and score.