In the video Dome (2005), one is confronted with the inexplicable behavior of a boy, his face raised toward the sky, who turns round and round, trancelike, inside a roofless ramshackle building. The camera slowly zooms in on him, assuming his position and action, so that the viewer, too, experiences dizziness. The video is largely silent; the only sound effects are chirping birds, suggesting salvation, and rumbling aircraft, evoking imminent danger. The piece ends exactly where it commenced, avoiding any clear pronouncement regarding the boy’s motivation or his fate.