An investigation into (mainly abstract) spectro-morphologies articulated in both the audio and the visual domains. It features electro-acoustic sounds combined with computer-generated animations, as well as filmed footage. A possible viewing strategy, which is somewhat in line with the composer's design, may consider the role of the sonic material in permeating the 'fractures' ('patah' in Indonesian) of the streaked visual textures and the dramatic effect that results from such interaction.