It is truly a tribute to the roots of the french electronic music & electroacoustic music which had a major influence on my early studies at the GRM and really how we are producing music today. The soul of the album is also a tribute to Pierre Henry, who was one of the foundational 20th century giants of electronic music: he explored solfeggio notes v’s noise bites in audio spatialization before it was thought of. When he departed, I was very moved by the fact that he left some sounds to me for a future project that he thought relevant. Pierre Henry inspired me to create an album using the old analog techniques I studied, but linked to the future by using spatial audio technique already and foremost at the composition stage. .