When the popular, restless Landon Carter is forced to participate in the school drama production, he falls in love with Jamie Sullivan, the daughter of the town's minister. Jamie has a "to-do" list for her life, as well as a very big secret she must keep from Landon.

A stage director and an actress struggle through a grueling, coast-to-coast divorce that pushes them to their personal extremes.

Taking place thirty years before the events of Ringu, Ringu 0 provides the shocking background story of how the girl on the video became a deadly, vengeful spirit.

When a beautiful first-grade teacher arrives at a prep school, she soon attracts the attention of an ambitious teenager named Max, who quickly falls in love with her. Max turns to the father of two of his schoolmates for advice on how to woo the teacher. However, the situation soon gets complicated when Max's new friend becomes involved with her, setting the two pals against one another in a war for her attention.

Uspešni škotski dramatik J.M. Barrie je za svoj čas intelektualni genij in ga ponavljanje enih in istih tematik začenja dolgočasiti, zato čudi vse močnejšo potrebo po resnejšem navdihu. Nekega dne se mu želja nepričakovano uresniči, ko med sprehodom po londonskem parku spozna družino Llewelyn Davies – štiri dečke in njihovo očarljivo, nedavno ovdovelo mamo.

After one member of their group is murdered, the performers at a burlesque house must work together to find out who the killer is before they strike again.

When Berke Landers, a popular high school basketball star, gets dumped by his life-long girlfriend, Allison, he soon begins to lose it. But with the help of his best friend Felix's sister Kelly, he follows his ex into the school's spring musical. Thus ensues a love triangle loosely based upon Shakespeare's "A Midsummer Night's Dream", where Berke is only to find himself getting over Allison and beginning to fall for Kelly.

A rambunctious and ribald tale of a troupe of travelling actors who alternate highlights of kabuki theatre with strip shows.

Film se dogaja leta 1907, v kostumskih časih, v premožni, aristoktratski uppsalski družini, okej, bolj dinastiji, Fanny (Pernilla Alwin) in Alexander (Bertil Guve) pa sta 10-letni brat in 8-letna sestra, ki se kopljeta v relativno liberalni, četudi afektirani idili razširjene, epske družine, dokler njunega očeta (Allan Edwall), gledališkega impresarija in igralca, ne pokoplje infarkt in dokler se njuna mati (Ewa Froling), gledališka zvezdnica, ne poroči s strogim, puritanskim, sadističnim pastorjem (Jan Malmsjö), ki prebudi strahove in duhove, sram in molk, krike in šepetanja, hudičeva očesa in deviške vrelce, kačja jajca in divje jagode, sedme pečate in prizore iz zakonskega življenja. Pastor je mizantropska pošast, ki bi oba otroka najraje izstradal in ki ustvari srhljivo, tesnobno, senzualno, ekscesno, introspektivno, pravljično klimo, v kateri bi v Bergmana zrasel vsak otrok, celo Bog – z blazno tremo.

Leto 1942, Pariz. To je zgodba o judovskem gledališkem režiserju in njegovi ženi, ki skriva moža pred nacisti v kleti gledališča, medtem ko je ona hkrati režiserka in igralka. Leto 1942, Pariz. V času nacistične okupacije Francije Marion Steiner, znana igralka na odrskih deskah in na filmu, vodi montmartrsko gledališče. Njen mož, judovski scenarist in režiser Lucas Steiner, naj bi ušel v Južno Ameriko, v resnici pa se skriva v kleti gledališča. Le Marion ve, kje je v resnici njen mož, in ga bolj kot vse poskuša varno spraviti iz Francije, vedoč, da ga bodo nacisti, če ga bodo našli, odpeljali v koncentracijsko taborišče. V gledališču trenutno vadijo Steinerjevo zadnjo igro La Disparue, v kateri Marion igra ob novincu v gledališču, mladem igralcu Bernardu Grangerju, ki – kar njegova delodajalka ne ve – sodeluje pri odporniškem gibanju. Marionina predanost možu je resno ogrožena, ko ugotovi, da jo privlači čedni soigralec ...

China’s rapid changes from the late 1970s to the early 1990s, as seen through the lives of four performers in a theater troupe.

Pravljična zgodba je postavljena v sodobni Pariz. Mladi samotarski šansonjer s strtim srcem, Gaspard, si je prisegel, da se ne bo nikoli več zaljubil. A neke noči ga med sprehodom ob Seni zapelje privlačen ženski glas. Ko gre za njim, najde pravo morsko deklico, ki ranjena čaka pomoč. Gaspard se prepozna kot njen rešitelj, jo odpelje v svoje stanovanje in položi v kad z vodo. Zanesti se mora na intuicijo, saj ne pozna potreb siren. Ve le to, da mora žensko z ribjim repom skriti pred svetom. Neke noči Gaspard izpolni njeno željo in ji razkaže čare mestnega življenja. Mladenič in morska deklica se zaljubita, a na novo ljubezen pade senca slutnje, da ne pripadata istemu svetu, in se bosta morala zato kmalu raziti.

While a group of young actors rehearse a new musical about a mass murderer, a notorious psychopath escapes from a nearby insane asylum.

Out of work actor Joe volunteers to help try and save his sister's local church for the community by putting on a Christmas production of Hamlet, somewhat against the advice of his agent Margaretta. As the cast he assembles are still available even at Christmas and are prepared to do it on a 'profit sharing' basis (that is, they may not get paid anything) he cannot expect - and does not get - the cream of the cream. But although they all bring their own problems and foibles along, something bigger starts to emerge in the perhaps aptly named village of Hope.

Four young people escape Athens to a forest where the king and queen of the fairies are quarreling, while meanwhile, a troupe of amateur actors rehearses a play. When the fairy Puck uses a magic flower to make people fall in love, the whole thing becomes a little bit confused...

While two theater groups rehearse plays by Aeschylus, two solitary individuals wander the Parisian streets hustling the populace for cash.

Oriza Hirata is Japan's leading playwright and director, who runs his own theatrical company, Seinendan. Theatre 2 (Observational Film Series #4) examines the dynamic relationship between theatre and the society through depicting Hirata's activities. In order for his art and his not-so-commercial company to survive this highly capitalistic modern society, what kind of strategy does Hirata have and practice?

Theatre 1 (Observational Film Series #3) is a feature length documentary, which closely depicts the world of Oriza Hirata, Japan's leading playwright and director, and his theatrical company, Seinendan. By depicting them, the film leads the audience to revisit fundamental but timely questions: What is theatre? Why do human beings act?

Madeline has become an integral part of a prestigious physical theater troupe. When the workshop's ambitious director pushes the teenager to weave her rich interior world and troubled history with her mother into their collective art, the lines between performance and reality begin to blur. The resulting battle between imagination and appropriation rips out of the rehearsal space and through all three women's lives.

17-year old Sarah, filled with adolescent angst, is an extreme person who in her rehearsals with a theatre group is transformed until she is almost in a trance, and her performances at home or elsewhere verge on excess. A cold, intellectual father, a timid mother, a younger sister and an older brother who has left home complete the picture: a silent time bomb.