Four independent stories set in modern China about random acts of violence.
The stakes couldn't be higher for displaced Palestinian refugees Chatila and Reda in this knife-edge drama. The cousins are saving to pay for fake passports to get out of Athens, but when Reda loses their hard-earned cash to his drug addiction, Chatila hatches an extreme plan to pose as smugglers in an attempt to get them out of their desperate situation before it is too late.
Mathew Devassy, a retired bank manager decides to enter local panchayat elections. Unexpectedly, his wife Omana, shocks everyone by filing for divorce, claiming that Mathew is gay.
Amidst the urban transformation driven by progress, bulldozers dismantle 'illegal' settlements, leaving countless lives shattered. In the aftermath of such upheaval, one basti, sacrificed to conceal poverty during the G20 summit, and another basti, abandoned by authorities without alternative housing, illustrate the stark realities of displacement. The film delves into the daily struggles of individuals who persist in the rubble of their former homes.
Tashi is a lonely single man living on the edge of a small town in Arunachal Pradesh. The town is slowly being inundated by water from a nearby dam reservoir. One day he meets Eshna, who has come to town with her husband who is overseeing the dam's construction.
A bucolic fantasy frolic in which an adaptable young woman must navigate a bewildering and whimsical phantasmagoria, populated by anthropomorphic and bombastic creatures. The characters she encounters, she discovers, reject established facts and knowledge in favour of: galvanising, albeit meaningless soundbites (often in the form of riddles and poetry), vigilantism and its blunt implementation of “justice” and cult-like acts of dissent. Ironically, leading these academic rebellions are the establishment figures themselves.
"The Boy Of The Fish" follows Noon, a young boy living in a Syrian refugee camp, who finds solace and a sense of freedom in a whale-shaped doll he names "Bahr." Set against the challenging realities of camp life, Noon’s journey is both a story of resilience and a testament to the boundless imagination of childhood. Through vivid symbolism and a unique soundscape, the film explores themes of loss, hope, and the longing for freedom amidst confinement. Shot entirely on an iPhone due to restrictions in the conflict zone, the film combines raw authenticity with poetic depth to capture the emotional landscape of a young soul navigating adversity.
Jonas Mekas adjusts to a life in exile in New York in his autobiographical film, shot between 1949 and 1963.
The village of Tamaquito lies deep in the forests of Colombia. Here, nature provides the people with everything they need. But the Wayúu community's way of life is being destroyed by the vast and rapidly growing El Cerrejón coal mine. Determined to save his community from forced resettlement, the leader Jairo Fuentes negotiates with the mine's operators, which soon becomes a fight to survive.
Forced by the dangerous state of his homeland, Perghuzat moved to Berlin. He is alone, working small jobs day and night to survive. The profound clash of cultures, the linguistic barrier and the lack of spare time lead him into a condition of extreme isolation.
Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.
“El Apagón: Aquí Vive Gente” is a documentary directed by Bad Bunny and Blanca Graulau. This 23-minute film explores the socio-economic challenges in Puerto Rico, focusing on the effects of power outages and gentrification driven by the real estate and energy sectors. Through visuals and personal stories, the documentary highlights the experiences of Puerto Rican communities facing these issues.
After escaping from her homeland and now abandoned by the man she loves, Medea must find strength from within to fight against growing injustice - how far is she willing to go?
A documentary film crew follows a young Iranian girl, Roya, after her request for asylum was denied and is forced to enter an illegal life on streets of Amsterdam. The film crew follows her from a distance trying not to intervene, no matter what occurs to her.
Ramona, residing on her wealthy Spanish adoptive mother's rancho in California, falls in love with the Indian Alessandro. When Ramona is denied permission to marry Alessandro, the lovers elope, only to find a life of great hardship and unhappiness amidst the greed and injustice of the white landowners.
Bhutan: The World’s Happiest Man tells the story of Mr. Bishnu, an aging Bhutanese-American in Ohio, who dreams of returning to his homeland. After his unexpected death, his family faces a conflict over his final resting place, torn between past memories and present realities. This emotional drama explores themes of love, loss, and the search for belonging.
After World War II, 4,000 Polish families came to Australia. They were Jews, Fascists, anti-Communists, and others dispossessed. In a large hostel, where even married men and women were housed in separate barracks, the adults lived for two years while they worked off the government's payment of their passage. Even though he is married to Anna and has a son, Julian falls in love with Nina and she with him. As they and others face the new situations and prejudices that await immigrants and as they take on aspects of Australian culture, old-country values reassert themselves. Julian decides what to do about love and family, and Nina must find a way to move on.
Saffron Kingdom is a drama inspired by true events, following Masrat, a Kashmiri woman who, after her husband’s abduction, escapes to America with her son, Rizwan. Settling in Atlanta, they confront the challenges of displacement and the lingering trauma from their past. The film explores themes of identity, resilience, and the enduring impact of political turmoil on personal lives.
Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.
Our place is on fire and we are on fire with it. If that, what we are, is not any longer and an eternal search begins - for who we are, where we stand and where we should go.