St. John’s Night is a traditional midsummer Latvian celebration where family and friends get together to build bonfires, drink and have a good time. According to a legend, on this night lovers and those who wish to fall in love can search the woods for the "magic fern".

Markuss must adapt to a new life living with his granny in the countryside. After Emīlija – a neighbor’s daughter – throws some contemptuous remarks about the boy’s father, Markuss decides to teach her a cruel lesson. This has severely negative consequences which resonate throughout the village. Forced to work the boy begins to harbor hatred towards the others in the village. The only person the boy can relate to is an old Sailor living in the nearby woods. They inspire one another and keep each other’s secrets. It is only through an accidental turn of events that Emīlija’s mother’s intended sanctions against Markuss and the boy’s reputation in the eyes of the inhabitants of the village radically change.

The epic film is based on the motifs of Vilis Lācis' novel "The Zītari Family". The tragedy of the Zītari family is a model of Latvian national history. With the beginning of World War I, the patriarchal way of life of Captain Andrejs and his wife Alvīne, their children Kārlis, Ings, Ernests, Elza and Janka changes, with years spent at work and in rare, modest celebrations. Kārlis voluntarily goes to the front, Ingus disappears without a trace on long sea voyages. Not wanting to live in the territory occupied by the German army, the Zītari evacuate to the distant Altai region. The unusually difficult living conditions and the drastically changing political situation of the post-revolutionary period also affect each member of the Zītari family. When the opportunity arises to return to Latvia, Andrejs and Alvīne are no longer among the living. The old sailor's nest has collapsed and the young Zītari are no longer able to preserve their father's house - all the property is stolen.

Choosing the fate of a rock musician was similar to being a dissident. From the 60s, the Soviet Union tried to discourage and restrict the expansion of rock music by any means. They called it the “rotten fruit of degraded capitalism, demoralizing the minds of Soviet youth”. Despite that, rock music broke the wall – made a hole in the Iron Curtain – and gained the hearts and minds of tens of thousands of young people.Rock musicians were on the frontline of the rebellion against the Soviet regime. Despite censorship, they managed to deliver, in a hidden, roundabout way through lyrics and music, the spirit of nonconformity and freedom of choice to their audience. A film about Latvian and Soviet rock pioneers, their lives and destinies.

Struggling against the totalitarian regime of occupied Soviet Latvia, a talented young doctor is stripped of her career, her joy for life, and even her maternal instincts.

Gunars Taurins has become a dad-sitter in Latvia. He wants to return to France as soon as possible once he has found a caregiver for his father. But it's not that easy and Gunars has to stay in Riga whether he likes it or not.

Short documentary film that captures the spirit of a new generation of Latvian jazz musicians shaping the contemporary sound of Latvia. With a poetic visual style and personal reflections from the artists themselves, the film explores how jazz becomes a dialogue between generations — a space of tension, competition, and ultimately, self-discovery.

A fairy tale about communism, social-democracy, and capitalism. (The sequel to Wandering Marxwards)

Casual encounter or not? When a young man meets an old man, the generation conflict between them leads to unusual events.