The film is taken from a comedy theatrical play and it shows the customs of the traditional society in Seychelles.

Recreating festivities from Henry VIII's era, Lucy Worsley dresses, eats, drinks, sings and parties like it is 500 years ago - discovering long-lost traditions as well as familiar customs.

A husband and wife recall an event when their love was tested amid Punjabi pre-wedding customs, as their family continued to create a scene due to cultural and racial differences, which persisted despite the customs.

Lucy Worsley reveals the surprising stories behind our favourite Christmas carols. From pagan rituals to religious conflicts, French dances and the First World War, carols reflect our history.

Through archival footage of his parents' wedding, the filmmaker embarks on a personal and societal reflection on the theme of love and marriage in contemporary Serbia. The film follows scenes from a traditional Balkan wedding, where songs, dances, and rituals reveal deeply rooted heteronormative values. As he watches these moments, the filmmaker questions his own relationship to marriage as an LGBT individual in a society grappling with change, yet resistant to equality. Will he, as their son, ever have the chance to experience love and marriage the way his parents did? The film explores the dilemma between tradition and modern love, confronting the past with hopes for a future where everyone has the right to love and union without restrictions. Through this personal narrative, the filmmaker addresses the issues of acceptance, family, and dreams that may never become reality in the current social context.