Takumi and his daughter Hana live in Mizubiki Village, close to Tokyo. One day, the village inhabitants become aware of a plan to build a camping site near Takumi's house offering city residents a comfortable "escape" to nature.
Nanni Moretti recalls in his diary three slice of life stories characterized by a sharply ironic look: in the first one he wanders through a deserted Rome, in the second he visits a reclusive friend on an island, and in the last he has to grapple with an unknown illness.
This short documentary features a portrait of Ottawa in the mid-20th century, as the nascent Canadian capital grew with force but without direction. Street congestion, air pollution, and rail traffic were all the negative results of a city that had grown without being properly planned. French architect and urban designer Jacques Gréber stepped in to create a far-sighted plan for the future development of Ottawa. With tracks moved, factories relocated, and neighbourhoods redesigned as separate communities, Ottawa became the capital city of true beauty and dignity we know today.
A young man looks out of his window, trying to see the stars. The city is too bright, preventing him from doing so. Disappointed, he decides to leave the city. His car journey takes him to a hill that he considers ideal. He sets up his tent there. He is happy.
In this documentary, Marie-Claire Rubinstein reveals to us, through the testimonies of the inhabitants who live there, the architectural achievements of the French urban planner Fernand Pouillon in Algiers. In particular the vast complexes of hundreds of social housing units, including the most famous Diar E Saâd (1953), Diar El Mahçoul (1954) and Climat de France (1957). The historical context, during the war of independence is related by the historian Benjamin Stora and Nadir Boumaza. This documentary also evokes the personality of Fernand Pouillon in a post-colonial context.
This haunting, beautifully crafted animation is set in a not-so-distant dystopia where lonely, suspicious pack dogs set the boundaries of their world amidst the remains of human presence. Within the confines of this border, the best and worst of animal behavior begin to manifest.
“A Short History of the Highrise” is an interactive documentary that explores the 2,500-year global history of vertical living and issues of social equality in an increasingly urbanized world. The centerpiece of the project is four short films. The first three (“Mud,” “Concrete” and “Glass”) draw on The New York Times's extraordinary visual archives, a repository of millions of photographs that have largely been unseen in decades. Each film is intended to evoke a chapter in a storybook, with rhyming narration and photographs brought to life with intricate animation. The fourth chapter (“Home”) comprises images submitted by the public. The interactive experience incorporates the films and, like a visual accordion, allows viewers to dig deeper into the project’s themes with additional archival materials, text and microgames.
This documentary presents a before-and-after picture of people in a large-scale public housing project in Toronto. Due to a housing shortage, they were forced to live in squalid, dingy flats and ramshackle dwellings on a crowded street in Regent Park North; now they have access to new, modern housing developments designed to offer them privacy, light and space.
Writer and urban activist Jane Jacobs fights to save historic New York City during the ruthless redevelopment era of urban planner Robert Moses in the 1960s.
This is Brussels, the capital of Europe, a city of concrete cages wrapped in glass, planned by businessmen and politicians, set in motion by construction workers, and animated by office people. But there, in the narrow spaces just beyond the reach of bureaucracy, lies the Brussels that still breathes. You can hear its multicultural heart beating and see the traces of all the other cities, the ones each person carries within him/herself. All of us together add up to create the complex body and dissonant identity of Our City.
A young architect embarks on an ambitious real state development project in Brasília, convinced that he could actually help transform people’s lives and build a new form of society. But his utopia begins to fall apart when his dreams get in the way of corporate corruption and personal interests.
The documentary offers an overview of the district of Cidade Tiradentes and its inhabitants. It starts by the acquisition of land by the public authorities from the 1970s onwards, to the occupation of what is today one of the largest housing projects in Latin America.
Sundance award-winning director Julia Kwan’s documentary Everything Will Be captures the subtle nuances of a culturally diverse neighbourhood—Vancouver’s once thriving Chinatown—in the midst of transformation. The community’s oldest and newest members offer their intimate perspectives on the shifting landscape as they reflect on change, memory and legacy. Night and day, a neon sign that reads "EVERYTHING IS GOING TO BE ALRIGHT" looms over Chinatown. Everything is going to be alright, indeed, but the big question is for whom?
Great Britain was the first country to plan the establishment of 'new towns' to house the overflow from rapidly expanding industrial centres. Today these towns number over one hundred. This film examines the operation of two of them.
Architect Stanley King involves the local Vancouver community in urban design.
"Ellas en la ciudad" (Them in the City) focuses on the first settlers of the neighborhoods on the outskirts of Seville. Through their stories, we discover that they have been the backbone of a city that has turned its back on them.
Amina, Sami and Jennyfer are high school students in the Paris suburbs, in 93. At the initiative of 3 of their teachers, they embark on an unexpected investigation into a gigantic leisure park project which involves concreting agricultural land near their homes. But can we have the power to act on a territory when we are 17 years old? Funny and intrepid, these new citizens take us to meet residents of their neighborhood, property developers, farmers and even elected officials of the National Assembly. A joyful quest that challenges conventional wisdom and revives our connection to the land!
The war zone of a dystopian multiplayer shooting game is used to embark some urban explorers on a winter walk, avoiding the combats whenever possible, as peaceful observers, inhabitants of a digital world, which is a detailed replica of Midtown Manhattan.