Los Angeles, June 21st, 2028. While the streets are being torn apart by riots, the Nurse, who runs a clandestine hospital for criminals in the penthouse of the Artemis, a closed old hotel, has a rough night dealing with troublemaker clients: thieves, assassins, someone from the past and the one who owns the place and the whole city.
Workers in a factory in pre-revolutionary Russia go on strike and are met by violent suppression.
It's 1989, and in a Belfast torn apart by conflict and terrorism, petty criminal Marty McGartland is recruited by the British police to infiltrate the IRA. Guided by Special Forces officer 'Fergus', McGartland gains unparalleled insight into the organisation's dealings, providing his British handler with priceless, life-saving information. Based on a true story.
During an eviction procedure in a troubled area of Madrid, police officer Dani makes a shocking discovery.
Archival footage, animation and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.
A care-free youngster sets out to become a cop and comes back to his village to control a riot. He realises that he has to take on people, who are close to him, to manage the situation.
The Youth International Party, whose members were commonly called Yippies, was a radically youth-oriented and countercultural revolutionary group opposed to war and the status quo of American culture. Known for using theatrics and humor to advocate social change, several Yippies were notably on trial as the Chicago 7. Primarily consisting of footage from the 1968 Democratic National Convention in Chicago which sparked massive demonstrations that were met by violence and hysteria caused by the police. This film also includes found newsreel footage as well as Pigasus - the pig the Yippies advanced as a candidate for President of the United States.
David, a riot policeman who caused Nacho, a protester, to lose an eye during a demonstration, meets him at a dinner party.
The motions and gestures of military riot police, slowed down while performed by dancers, are surprisingly beautiful. Menace and violence estranged from context and time looks eerily strange, and all too familiar. In this gallery piece, Isaac Chong Wai somehow anticipates, a year early, key images of the Hong Kong protests.