Frank, a single man raising his child prodigy niece Mary, is drawn into a custody battle with his mother.
In 1950s New York, a department-store clerk who dreams of a better life falls for an older, married woman.
Sam, a neurodivergent man, has a daughter with a homeless woman who abandons them when they leave the hospital, leaving Sam to raise Lucy on his own. But as Lucy grows up, Sam's limitations as a parent start to become a problem and the authorities take her away. Sam convinces high-priced lawyer Rita to take his case pro bono and in turn teaches her the value of love and family.
Ted Kramer is a career man for whom his work comes before his family. His wife Joanna cannot take this anymore, so she decides to leave him. Ted is now faced with the tasks of housekeeping and taking care of himself and their young son Billy.
On Christmas Eve, divorced dad Scott Calvin and his son discover Santa Claus has fallen off their roof. When Scott takes the reins of the magical sleigh, he finds he is now the new Santa, and must convince a world of disbelievers, including himself.
Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left unexpectedly with Maggie and forgets that Melanie was to take her to school. As a result, both children miss their school field trip and are stuck with the parents. The two adults project their negative stereotypes of ex-spouses on each other, but end up needing to rely on each other to watch the children as each must save his job. Humor is added by Sammy's propensity for lodging objects in his nose and Maggie's tendency to wander.
Susan, a single mother of two, works as a waitress in a small town. Her son, Henry, is an 11-year-old genius who not only manages the family finances but acts as emotional support for his mother and younger brother. When Henry discovers that the girl next door has a terrible secret, he implores Susan to take matters into her own hands.
A woman in the midst of an unpleasant divorce moves to an eerie apartment building with her young daughter. The ceiling of their apartment has a dark and active leak.
Monty is a mechanic struggling to make ends meet as he raises his three young daughters. When the court awards custody of his daughters to his shady ex-wife, Monty desperately tries to win them back with the help of Julia, a beautiful, Ivy League-educated attorney. Monty and Julia couldn't be less alike, but a flame is ignited... touching off a firestorm of love and conflict.
Stefan and Dolly Oblonsky have had a spat and Stefan has asked his sister, Anna Karenina, to come down to Moscow to help mend the rift. Anna's companion on the train from St. Petersburg is Countess Vronsky who is met at the Moscow station by her son. Col. Vronsky looks very dashing in his uniform and it's love at first sight when he looks at Anna and their eyes meet.
When the San Francisco Giants pay center-fielder, Bobby Rayburn $40 million to lead their team to the World Series, no one is happier or more supportive than #1 fan, Gil Renard. When Rayburn becomes mired in the worst slump of his career, the obsessed Renard decides to stop at nothing to help his idol regain his former glory—not even murder.
Paul Kersey is back at working vigilante justice when his fiancée, Olivia, has her business threatened by mobsters.
As part of the drama anthology program's third anniversary, a film version was created. Ana, a young girl who took the responsibility of being the mother of her cousin Marissa's son while the latter spent her life in Japan as an entertainer.
Journalist Meredith Redmond is a battered Canadian woman who flees Canada to escape her abusive husband, Robert. She settles in Seattle, but her now-remarried ex-husband eventually finds her. To protect her two children, she must choose between killing him herself, hiring someone to kill him, or disappearing with her children and assuming new identities. Based on a true story.
A desperate mother is forced to break the law in order to protect her children from her abusive ex-husband, and rely on the kindness of strangers who help battered spouses to escape their tyrannical mates via an elaborate "underground railway" system.
During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia's Indigenous history in the unadorned words of those who lived it.
Freewheeling wanderer Jerry Day and his beautiful wife Toni are at odds over their lifestyle. Jerry can't accept responsibility, but Toni yearns for a family and a settled life. Then the Days 'rediscover' Jerry's young daughter Pennie, who has been living with his rich deceased wife's family. Pennie appears to be just what Jerry needs to mend his swindling ways and lead a straight life. Then a corruptible influence enters his life.
Young Pud is orphaned and left in the care of his aged grandparents. The boy and his grandfather are inseparable. Gramps is concerned for Pud's future and wary of a scheming relative who seeks custody of the child. One day Mr. Brink, an agent of Death, arrives to take Gramps "to the land where the woodbine twineth." Through a bit of trickery, Gramps confines Mr. Brink, and thus Death, to the branches of a large apple tree, giving Gramps extra time to resolve issues about Pud's future.
Study of interracial marriage in the 1960s. A white divorcée falls in love with and marries an African-American man. When her ex-husband sues for custody of her child, arguing that a mixed household is an improper place to raise the girl, the new husband fights for his parental rights in court, fighting against a judge who represents the prejudices of the era.
A rural Maine farmer fights for custody of the boy who he's raised as his own.