The living Volkswagen Beetle helps an old lady protect her home from a corrupt developer.
Two penniless orphans, Black and White, struggle to survive on the mean streets of Treasure Town. When a megacorporation threatens to tear down the town to build an amusement park, Black and White engage in the fight of their life.
Undine is a historian and tour guide at the Berlin City Museum specializing in urban development, while Christoph is an industrial diver. Linked by a love of the water, the two form an intense bond, which can only do so much to help Undine overcome the considerable baggage of her former affair.
While looking for a new home for his family, a Haitian demolition worker is faced with the realities of redevelopment as he is tasked with dismantling his rapidly gentrifying Miami neighborhood.
Underground people who exhale toxic gas appear in Tokyo's S-Ward, which is dealing with construction noise from urban development projects. Everyone panic, but it turns out that five middle-aged guys are unaffected by the poisonous gas. They undergo vigorous training to fight the underworld people, but are they going to be able to save the world…?
Since the end of World War II, one of kind of urban residential development has dominate how cities in North America have grown, the suburbs. In these artificial neighborhoods, there is a sense of careless sprawl in an car dominated culture that ineffectually tries to create the more organically grown older communities. Interspersed with the comments of various experts about the nature of suburbia
Ecumenopolis: City Without Limits" tells the story of Istanbul and other Mega-Cities on a neo-liberal course to destruction. It follows the story of a migrant family from the demolition of their neighborhood to their on-going struggle for housing rights. The film takes a look at the city on a macro level and through the eyes of experts, going from the tops of mushrooming skyscrapers to the depths of the railway tunnel under the Bosphorous strait; from the historic neighborhoods in the south to the forests in the north; from isolated islands of poverty to the villas of the rich. It's an Istanbul going from 15 million to 30 million. It's an Istanbul going from 2 million cars to 8 million. It's the Istanbul of the future that will soon engulf the entire region. It's an Istanbul nobody has ever seen before.
The city of Edmonton is under pressure to deal with the problems related to housing, development, and traffic.
Since World War II North Americans have invested much of their newfound wealth in suburbia. It has promised a sense of space, affordability, family life and upward mobility. As the population of suburban sprawl has exploded in the past 50 years Suburbia, and all it promises, has become the American Dream. But as we enter the 21st century, serious questions are beginning to emerge...
Terry Wilson is a 70-year-old lifelong resident of Meadowvale Village, Ontario's first heritage district. As development looms and begins to destroy Terry's favourite place in the world, he recreates pieces of history in his backyard, crafting an oasis where it feels like nothing has changed. A beautiful tribute to his childhood, his mother, and his town, Terry passionately fights to preserve history in a world that's too anxious for change.
Recent graduate, Arthur Macdonald, narrowly avoids a collision with a truck when he takes a short-cut to work. In his job as traffic safety engineer he proposes to erect a median barrier to prevent collisions. His proposal meets with derision from his boss and indifference from the politicians and the public, but Arthur isn't about to give up. He struggles on toward his goal, despite limited resources, office politics, and City politics.
A sophisticated and beautifully constructed account of landscape change in and around Paris in the early 1960s. The film raises complex issues about the meaning and experience of modern landscapes and the enigmatic characteristics of features such as canals, pylons and deserted factories. Rohmer also explores the role of landscape within different traditions of modern art and design and refers to specific architects, artists and engineers.
This is a 1970’s era, color movie discussing problems fire departments have with high rise buildings. It opens with a massive high-rise tower with a ladder next to it and was produced with the assistance of the National Fire Protection Association and Fire Prevention through Films. Producer is Julian Olansky and the New Haven Fire Department in New Haven, Connecticut.
Su Friedrich's personal essay charting the destruction of Williamsburg, Brooklyn. After living in the neighborhood for 20 years, the filmmaker was one of many who were forced out after the city passed a rezoning plan allowing developers to build luxury condos where there were once thriving industries, working-class families, and artists. Filmed over many years, it is a scathing portrait of one neighborhood's demolition and transformation.
Rotterdam 2040 is a film about the city’s future, departing from the principle of Gyz La Rivière that you can’t look ahead without considering your past (something that hasn’t always been Rotterdam’s strongest feature). At high speed, La Rivière reconstructs the history of Rotterdam from the time before the bombings until now, and expands the developments to the year 2040 (100 years after the bombing and the 700th anniversary of the city). La Rivière made a specific choice to expose his personal vision, which is sometimes radical or a little absurd. So no experts and no talking heads, but an assault of old and new imagery, held together by La Rivière as the narrator of the film. Although Rotterdam 2040 deals with architecture and urban renewal, it is actually a film about people. The subjective experience of the city by its (future) occupants mainly determines the parade of architectural blunders and suggestions for the future. All tongue-in-cheek of course.
As development encroaches on a farming community, they struggle with the loss of their heritage and land.
Yirrkala is an Aboriginal township on the Gove Peninsula in Northeast Arnhem Land. It was established as a Methodist mission in 1935 and over the years Yolngu from many different clans moved there. Conversations With Dundiwuy Wanambi is a personal film which reveals something of the struggles and thoughts of one elder in the face of enormous change. In the early years Dundiwuy was a heavy drinker. In a disturbing interview in a pub, Dundiwuy explains his reasons for drinking. Then, through a dream, Dundiwuy realizes he must begin to protect his family and clan. He establishes his Marrakulu clan homeland center at Gurka'wuy, south of Yirrkala. He will hold a great ceremony there. Years later Dundiwuy returns to Yirrkala. His clan is small and he did not receive the necessary support from his sons. But Dundiwuy endures, continues his struggle, and we learn in the post-script of how he has become a successful and sought-after artist.
An intimate portrait of Christopher Alexander, a critic of modern architecture on a lifelong quest to build harmonious, livable places in today’s world. The film tells the story of two projects – a spectacular high school in Japan and an innovative homeless shelter in California. For Alexander, feelings come first, users are deeply engaged and process is paramount. We discover what happens when an architect’s unconventional method collides with standard practices in his profession.
A prescient portrait of late-1970s Washington, D.C., that chronicles the city's creeping gentrification, the systematic expulsion of poor Black residents, and the community response in the form of the Seaton Street Project, in which tenants banded together to purchase buildings.
The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.