An ordinary man frustrated with the various flaws he sees in society begins to psychotically and violently lash out against them.
This film made by a Palestinian-Israeli collective shows the destruction of the occupied West Bank's Masafer Yatta by Israeli soldiers and the alliance which develops between the Palestinian activist Basel and Israeli journalist Yuval.
In a near future, the world order has changed. With its 10 millions of unemployed citizens, France has now become a poor country. Its people wavers between rebellion and resignation and find an outlet in the shape of TV broadcast ultra brutal fights in which the players are legally doped and unscrupulous.
To understand firsthand what the United States of America can learn from other nations, Michael Moore playfully “invades” some to see what they have to offer.
A woman threatens to leave her husband unless he installs a toilet in their home. To win back her love and respect, he heads out on a journey to fight against the backward society.
The End of Poverty? asks if the true causes of poverty today stem from a deliberate orchestration since colonial times which has evolved into our modern system whereby wealthy nations exploit the poor. People living and fighting against poverty answer condemning colonialism and its consequences; land grab, exploitation of natural resources, debt, free markets, demand for corporate profits and the evolution of an economic system in in which 25% of the world's population consumes 85% of its wealth. Featuring Nobel Prize winner Amartya Sen and Joseph Stiglitz, authors/activist Susan George, Eric Toussaint, Bolivian Vice President Alvaro Garcia Linera and more.
Based on Reich's 2010 book Aftershock: The Next Economy and America's Future, the film examines widening income inequality in the United States. U.S. Labor Secretary Robert Reich tries to raise awareness of the country's widening economic gap. He publicly argued about the issue for decades, and producing a film of his viewpoints was a "final frontier" for him. In addition to being a social issue documentary, Inequality for All is also partially a biopic regarding Reich's early life and his time as Secretary of Labor under Bill Clinton's presidency. Warren Buffett and Nick Hanauer, two entrepreneurs and investors in the top 1%, are interviewed in the film, supporting Reich's belief in an economy that benefits all citizens, including those of the middle and lower classes.
Hanako Haibara was born and raised in the city of Tokyo. After she gets dumped by her boyfriend, while in her late 20's, she goes on blind dates to find a man to marry. Miki Tokioka was born in a province. She studied very hard and entered a prestigious university in Tokyo. She experienced difficult financial times, but she now works at an IT company. Due to a man, Hanako Haibara and Miki Tokioka meet each other.
FINDING THE MONEY follows economist Stephanie Kelton on a journey through Modern Money Theory or “MMT”. Kelton provocatively asserts the National Debt Clock that ticks ominously upwards in New York City is not actually a debt for us taxpayers at all, nor a burden for our grandchildren to pay back. Instead, Kelton describes the national debt as simply a historical record of the number of dollars created by the US federal government currently being held in pockets, as assets, by the rest of us. MMT bursts into the media with journalists asking, “Have we been thinking about how the government spends money, all wrong?” But top economists from across the political spectrum condemn the theory as “voodoo economics”, “crazy” and “a crackpot theory”. FINDING THE MONEY traces the conflict all the way back to the story we tell about money, injecting new hope and empowering countries around the world to tackle the biggest challenges of the 21st century: from climate change to inequality.
Jamie Johnson takes the exploration of wealth that he began in Born Rich one step further. The One Percent, refers to the tiny percentage of Americans who control nearly half the wealth of the U.S. Johnson's thesis is that this wealth in the hands of so few people is a danger to our very way of life.
If income inequality were a sport, the residents of 740 Park Avenue in Manhattan would all be medalists. This address boasts the highest number of billionaires in the United States.
Follow the emotional journey of Hiba Noor, a talented artist forced to flee her home country, as she navigates a new life in London while awaiting her asylum fate. This film takes you on a journey into the production of MATAR, a short film about a fellow asylum seeker facing similar problems.
A musical documentary accompaniment to the 1994 benefit compilation album concerning AIDS in the African-American community.
Two decades after the initial exposé of the corporation, this follow-up unveils a world now fully remade in its image and perilously close to fascism.
The Favela Pacification Program was launched in 2008 to reduce crime and drug trafficking in Rio de Janeiro, Brazil. In April 2015 however, police shot and killed 10-year old Eduardo in Complexo do Alemão, causing uproar in that community. Alemão and other pacified communities began to realise that the program had become the very thing it was designed to destroy. Taking place in the build to the 2016 Olympic Games, this is the side of Rio that you have never seen before.
DEBT is the story of a frantic pursuit: the search for the responsible for the televised cry of hunger of Barbara Flores, an eight-year-old Argentinean girl. Buenos Aires, Washington, the IMF, the World Bank and Davos; corruption and the international bureaucratic lack of interest.
An unsuspecting homeless man comes across a dead body and a valuable necklace. When he tries to do the right thing, he finds himself trapped in an incredibly dangerous situation.
It’s been widely reported that Detroit is making a comeback, but long-term residents of Detroit’s mostly black neighborhoods aren’t seeing much benefit. Crime, lack of opportunity and infrastructure problems still persist. Community Patrol explores neighborhood self-policing through the eyes of Minister Malik Shabazz, a long-time Detroit activist and community organizer. Determined that more black men don’t end up in jail or killed, the minister confronts drug offenders directly rather than reporting them to the police.