An elderly father and his two children, survive by harvesting salt from the sea. After the father dies, they live alone. Isolated from the outside world they become increasingly distanced, whilst their lust starts to blossom. Their lives get a lot harder. The brutal reality of harvesting sea salt coincides with their blossoming sexuality. Their lives of solitude drive them further apart whilst awakening lust makes itself known.
Investigating the murder of a drag, the journalist Heriberto Camargo discovers that the crime is part of a plot of police killings attributed to a character known as Vincent. The chronicles published by Camargo and his investigations to uncover the motive for the crimes confront Commissioner Sangretti.
Two sides of the same country: a chaotic and violent city contrasting against a natural paradise where the oldest mountains on the planet can be found. Two main characters that find each other at a crucial moment. Two fearless journeys, one that begins as a childlike adventure and ends up on the other side of the country and a one-way journey, free and determined. The same destiny will inevitably bond a woman with her grandson. Without knowing it they are part of an unbreakable family circle that deeply unites them. Second opportunities will arise while individual freedom of choice will become imposing. Everything comes together to tell us: there is only one destiny, the one you choose for yourself.
In the wake of a banking crisis, four middle class friends throw a 'white glove' hold up, only to find out that their bank has already gone bankrupt.
The story of a lawyer's journey to overcome her fears and social boundaries in order to transition.
The film follows the rise to fame of venezuelan singer Felipe Pirela. From the beginnings when he worked alongside Billo Frometa and his band Billo's Caracas Boys to the days of his death at the hands of a drug dealer.
Thomas, a man in his thirties who cares a land in deep plain, accompanied by his little son Alberto, buries his wife after a sudden death. It is only for the first night Thomas. He sits in the courtyard of the house to get drunk and mourn. The next morning he is awakened by Alberto and his hunger. With the confusion of novelty, the father uses the instinct to care for their child. But sorrow lurks in the solitude of his home. One night, Thomas falls asleep to escape. Another, starts drinking. Drowned by what he feels, alcohol and anxiety in the body, decides he wants to be with his wife.
"Des-authorized" is the combination of three stories, three realities that coexist and feed. The journey begins in the imagination of Elia K, the principal, who imagines Elijah, a character who is a poor playwright facing the crossroads to be true to his art, or succumb to the pressures of the producers must decide his work between surrender or pay the price of his freedom. On another level, we have Nina and Frederick, the protagonists of the work that Elijah is writing. They only seek to love, they are forced to leave the paper and press the Elijah to them the end that his story deserves, this is the starting point of "Des-authorized" a film set in an imaginary city , colorful and delusional. In the line of "Amelie" and "Stranger Than Fiction", brings a reflection on art, creativity, love and heartbreak.
A hazardous encounter leads América and Juan Pedro to recognize in each other the unsuspicious emotion of the first love. Young and innocent identified with their artistic devotion -he is a composer, she a dancer- they overstep the bound of their shared feeling, joyful and without great fears. They never imagined that their openhearted and pure love could hide a stain: that of racial prejudice.
During Christmas time in Caracas, a woman (Yotama) holds up a restaurant. She takes three persons (Emilio, Manuel and Lucia) hostage in their apartment. Day by day Emilio, an old musician and Yotama become friends. Yotama's small daughter, Victoria, is brought into the apartment. Emilio dies and the rest of the three persons become united in a common bond of humanity.
In 1995, several cargo containers are discovered high in the Bolivian Andes. Inside are potentially toxic chemicals, and local policeman Mariscal soon becomes charged with the task of smuggling the containers into neighboring Chile. He recommissions an old train to haul the toxic waste out of Bolivia, but encounters one mishap after another, beginning with the local townspeople who know what's inside, halting the train's path.
When the corpse of mobster Miguel "el chino" Sanabria surfaces, everyone thinks his death is the result of an argument during the heat of the moment. That is, everyone except Officer Ferran (Victor Mayo), who believes something more menacing was at fault. Along with Picasso (Juanko Vellido), the last person to see Sanabria alive, Ferran sets out to find the truth behind the murder -- and learns something about his own destiny in the process.
Willi premieres his own reality show and the first guest is the famous telenovela actress, Elsy Ferrer.. It immediately captivates the public with absurd and hilarious situations inspired by the routines of the most celebrated hosts of Latin American television.
After several years of retirement, Roco decides to make a new film. To achieve this, he reassemble his crew: cinematographer Larsen, Nacho the cameraman, soundman Meta and Cacho, the ever loyal machinist. But social and personal crises have dispersed the strange and remote territories of reality. Sometimes dramatic and and sometimes funny, Roco's search will lead him to an unavoidable encounter of life, death and rebirth.
written, produced, and directed by Rhoda Torres, tells the story of a UCV scientist, married and father of three children, and his wife, who commits suicide by jumping out of their bedroom window in front of their 14-year-old son. The young man tries to catch him in the air but he escapes due to lack of strength. As a result of the tragedy, the boy is left with a terrible trauma and feelings of guilt for what his father did.
The obsession of The Mother for The Negro causes her sick relationship with The Daughter. Mother and daughter perform a daily routine of rites to conjure The Negro's soul. It pushes them into the dolorous tragedy which will consume them.
This is the story of two teenage women affected by violence and the painful journey to become full and liberated. One, Maruja is a young rape victim. The other Carmen Luisa is beaten by violence within her own family.
A living room, two video cameras, an armchair, two televisions and a mirror: domestic daily life in which colleagues, family and friends come together to decipher the life, personality and artistic trajectory of one of the most important actresses of Venezuelan Cinema: Hilda Vera
Florentino is a young horseman and singer, a free spirit living in the open world without restrictions, in the Venezuelan plains. He confronts the devil in a duel of improvised verses. As time passes, these unspoilt plains start to change. Through Florentino's voice and actions, the plains cannot be conquered. Its culture defies the devil in the eternal fight between good and evil, between life and death.
Gioia returns home for her grandfather's funeral, after having fled when she realized that she would never be part of the family business, until then managed by him. But now that her grandfather is dead, she makes the women of the family understand that they must unite and take the spaces that belong to them. Together they will take control of the family business, where these women now have their place conquered.