阴阳魔界 토론

This is one of my favorite episodes, partly because I can identify with Martin Sloan. I had once worked in one of the world's largest ad agencies on Madison Ave. in NYC, and was working in a large management consulting company when I decided to quit working for someone else at age 36 (Sloan's age in this episode) for many of the same reasons he was getting tired. I started my own business and never looked back.

I loved the visual metaphor near the beginning, at the gas station, when Sloan decides to walk to his nearby hometown while his car is being serviced. We see him walking away, not directly, but in a vending machine mirror, symbolizing his transition from reality to the Twilight Zone.

This episode also features one of the most hauntingly beautiful closing narrations by Rod Serling:

Martin Sloan, age thirty-six, vice-president in charge of media. Successful in most things but not in the one effort that all men try at some time in their lives—trying to go home again. And also like all men perhaps there'll be an occasion, maybe a summer night sometime, when he'll look up from what he's doing and listen to the distant music of a calliope, and hear the voices and the laughter of the people and the places of his past. And perhaps across his mind there'll flit a little errant wish, that a man might not have to become old, never outgrow the parks and the merry-go-rounds of his youth. And he'll smile then too because he'll know it is just an errant wish, some wisp of memory not too important really, some laughing ghosts that cross a man's mind, that are a part of the Twilight Zone.

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Yeah, this was a great one. It made me sad, but hopeful.

Also, it was in a long line of episodes that drove me bananas, when a main characters goes, "It's me! Don't you recognize me! Why is everyone crazy, but me!?! I'm going to keep yelling until I'm dragged away to the nuthouse!!!"

Play it cool, George Bailey. You were never born. Get it through your skull.

@Halberstram said:

Also, it was in a long line of episodes that drove me bananas, when a main characters goes, "It's me! Don't you recognize me! Why is everyone crazy, but me!?! I'm going to keep yelling until I'm dragged away to the nuthouse!!!"

Yes, they did seem to get stuck in a rut sometimes, as with Howard Duff's character, Arthur Curtis, in "A World of Difference," and Richard Long's character, David Gurney, in "Person or Persons Unknown," in addition to this episode. But I think this is definitely the best of those three. It's so well written and acted, and is very moving.

Despite some hiccups, like going to videotape for some episodes, and trying an hour format, I still think it's one of the all-time classic TV series from the golden age, along with the original Perry Mason.

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