
Scene of the Crime (1970)
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Martin Wuttke as Andreas Keppler
Episodes 22
Episode 15
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Episode 16
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Episode 28
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Black Peter
A body is found in a Leipzig canal. The chief inspectors Eva Saalfeld and Andreas Keppler manage to find out the identity of the man: it is Peter Schneider, a successful Leipzig entrepreneur and family man.
Read MoreWallflower
Eva Saalfeld and Andreas Keppler are confronted with the excesses of the modern job market. Temporary work and illegal employment seem to encourage abuse of people. A young manager Armin Lohmann is found dead in his apartment. The first suspicion falls on his wife Katrin, but chief inspectors Saalfeld and Keppler find bloody footprints at the scene of the crime, which indicate the presence of a strange woman on the night of the crime.
Read MoreFake Life
A youth center burns down. The body of 40-year-old Ulf Meinert is found in the building. At first everything indicates that he started the fire, but then chief inspectors Eva Saalfeld and Andreas Keppler find a lead that leads to the owners of the land where the youth center was located. The Kleebergs want to sell it because their auction house is heavily in debt. So far, the project has failed due to resistance from the youth center operator. Did the Kleebergs order the arson to survive financially?
Read MoreEpisode 8
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Episode 16
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Episode 33
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Episode 6
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Episode 19
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Episode 3
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Episode 13
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Come, Little Children
Köln. Ballauf and Schenk are in a race against time to find a killer.
Read MoreEpisode 31
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Episode 10
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Episode 21
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Episode 1
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Frühstück für immer
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Episode 8
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Episode 17
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Episode 40
Felix Murot and Magda Wächter are called to the parking garage of a casino in Wiesbaden in the morning where a dead man was found in a stairwell. While securing evidence, Murot discovers another body in the trunk of a car. He finds out that one of the dead had just won a large amount of money, but the money has disappeared. Was it really all about money or is there more to the murders? Then it happens: Ulrich Tukur himself is suspected of murder. A film within a film. Tukur, who plays Tukur, quickly realizes that there are no loyalties in the film industry. But he also poses other questions related to the nature of cinematic illusion and his own role in the hilarious game of genre contradictions, a self-reflective game in which the main character spins around himself in interesting turns. What is it actually like when you play a commissioner, while you are actually Ulrich Tukur, although you are only playing him here? "Who am I?"
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