A Diana la invade la nostalgia por las playas de Huanchaco y esto le recuerda a Laura un cuento del gran Abraham Valdelomar: “Los Ojos de judas”, la trágica historia de Luisa y de un niño con el que entabla una conexión en las playas de Pisco.

A lost scholarship, a half-finished first university cycle... all of Diana's plans were frustrated by the pandemic, so Laura tries to get her out of her dramas by reciting some poems from the collection of poems “5 Meters of Poems” by the Peruvian avant-garde Carlos Oquendo de Amat. .

After a fight between Diana and her father, Laura decides to tell him a story about another father and son in conflict: “Frankenstein,” a novel by Mary Shelley that gives a twist to this type of story with a creature looking for a place in the world and only finding rejection.

Diana has fallen in love with Giacomo Razzolini, a boy she met on Instagram, but this displeases Laura who believes that her sister only likes him because he is “handsome”, this makes them talk about how sometimes appearances can be deceptive. and to review the story of “The Picture of Dorian Gray.”

The dilemma about what to do with Diana's old dress leads the sisters to ask a very interesting question: Do we wear what we wear conditioned by others or because we really like it? Seeking to find an answer, Laura remembers a story by Clorinda Matto de Turner on a very popular feminine garment of her time: “The corset”.

“I hate 2020!” Diana believes that this year ir responsible for all of her misfortunes. Could it be true? Laura remembers a story that has to do with that and leads them to question whether the years are really the culprits for what happens in them: “El engendro” by Emilia Pardo Bazán.

A call upsets Diana, her friend has just been accepted at a foreign university to go on an exchange and Diana wishes that something would happen that would prevent her trip. This makes Laura remember a story that she has to do with the dark sides that we can hide: “The Strange Case of Dr. Jekyll and Mr. Hyde” by Robert Louis Stevenson.

A volunteer experience leaves Diana very sensitive and makes her question her privileges and society's neglect of vulnerable populations. To seek to console her sister, Laura recites one of César Vallejo's poems from his book “Human Poems”

A fight between her parents has Laura very worried, she had never heard them yell at each other like that and she thinks she should have done something to stop them. Talking with Diana she remembers a story that helps her with her situation: “A cry in the night” by Grazia Deledda.

Diana has “alienated”, u know? Or at least that's what her sister Laura thinks, who sees her behavior more and more like a person from Lima. So, she tells her a story that has to do with the rejection of our identity: “Alienación” by Julio Ramón Ribeyro.

Mr. Lucilo, a neighbor of Diana's, has died and he blames her for treating him badly the last time they saw each other being tortured. Laura believes that her sister is exaggerating, so she tells her a story where there is a lot of guilt involved: “The Tell-Tale Heart” by Edgar Allan Poe.

On a visit to the market, Diana witnesses how people beat up a boy who tried to steal a sack of potatoes and this disturbs her a little. On one hand, she understands people's anger, but does that justify violence? This leads the sisters to question the punishment for crimes and talk about the story “The Power of Childhood” by Leo Tolstoy.

Diana has fallen into the trap of love, but the boy she likes has fallen in love with someone else. Seeing her on the verge of tears, Laura recites some poems by Alfonsina Storni to make her come back to herself.

Diana continues after her friend's boyfriend, thinking that she only needs a "chance" so that he can be hers. Laura does not see this favorably so she tells her sister a story where we can see that jealousy has different forms: "Othello."

Diana kissed her friend's ex and now she doesn't know what to do, Laura tries to help her sister understand her feelings and make a decision by reciting some poems from Giovanna Pollarolo's collection of poems “Entre mujeres solas”

School dramas come for Laura when her best friend, Martina, confesses that she is homosexual and that she is afraid to tell her parents. Laura doesn't know how to react, but talking with Diana she remembers a story that could help her resolve her fears: “Carmilla” by Sheridan Le Fanu.

2020 won't be able to stop Diana, so she has already started planning her 2021 by making a map of the places in the world she wants to visit that year. Laura feels like her sister is putting a lot of pressure on herself, but the whole idea of traveling the world reminds her of a Jules Verne story: “Around the World in 80 Days.”

The forest fires in the Peruvian Amazon do not stop and this has Diana very worried, which makes the sisters think about the cultural differences of our country and reminds Laura of a collection of poems that deals precisely with this: “Chono” by Inin Rono Ramirez Nunta.

Diana is scared to death because after a fortune teller tells her that “someone will come back to her life,” she believes that the ghost of Mr. Lucilo, her deceased neighbor, is haunting her house. Laura downplays her superstitions and tells her a story about it: “The Monkey's Paw” by William Wymark Jacobs.

Diana witnesses an abuse of power by an unpleasant employer towards the woman who works in her house doing domestic service. This outrages her and leads the sisters to look for answers in a story by José María Arguedas: Warma Kuyay.

Diana has left very excited from her visit to Pachacámac for field work at the university, so she convinces Laura to let her tell her a myth that they told her there, the “Cuniraya Viracocha and Cavillaca.”

One of the sisters' cousin and her son have been abandoned by their father, so Laura's family has decided to support her by letting her spend time at their house. This leads the sisters to talk about a story with a lot of heart, “Julio and his dad.”

Diana is outraged by the centralism she feels in Lima, so to help her remember her northern roots Laura recites some authentic Cumananas from the region and Afro-Peruvian culture.

Is Laura mired in routine or is Diana putting a lot of pressure on herself with her life goals? The sisters debate their problems while talking about the story “The Hermit with the Clock.”

Diana is offended when Laura lets it be known that no one had missed her at a family gathering, which leaves a tense atmosphere in the video call and encourages Laura to tell a story about two very different sisters: “La tripita” by Angélica Palma.

The video call continues. Has Laura heard everything Diana said? With many doubts still in their minds, the sisters continue their conversation and Laura decides to tell a new story: “Little Women” and “Those Little Women” by Louisa May Alcott.